{"id":6,"date":"2026-07-16T14:56:38","date_gmt":"2026-07-16T11:56:38","guid":{"rendered":"https:\/\/sakipsabancimuzesi.org\/audio-guides\/exhibitions\/yoko-ono\/"},"modified":"2026-08-12T17:47:41","modified_gmt":"2026-08-12T14:47:41","slug":"yoko-ono","status":"publish","type":"exhibition","link":"https:\/\/sakipsabancimuzesi.org\/audio-guides\/exhibitions\/yoko-ono\/","title":{"rendered":"Yoko Ono"},"content":{"rendered":"\t<div\n\t\tid=\"ssm-exhibition-guide-6\"\n\t\tclass=\"ssm-audio-guide wp-block-ssm-exhibition-guide alignfull\"\n\t\trole=\"application\"\n\t\taria-label=\"Yoko Ono audio guide\"\n\t>\n\t\t<x-dc>\n\t\t\t<helmet>\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n<link rel=\"preconnect\" href=\"https:\/\/fonts.gstatic.com\" crossorigin=\"\">\n<link rel=\"stylesheet\" href=\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/themes\/ssm-audio-guide\/assets\/original\/original.css\">\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<style>\n  @font-face { font-family: 'Campton'; 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padding-bottom:14px; margin-bottom:2px;\">\n            <h2 style=\"margin:0; font-size:clamp(30px,8vw,46px); font-weight:600; letter-spacing:-.03em;\">{{ STR.index }}<\/h2>\n            <span style=\"font-family:'Courier Prime',monospace; font-size:12px; color:#837F73;\">{{ workCount }} {{ STR.stops }}<\/span>\n          <\/div>\n          <sc-for list=\"{{ works }}\" as=\"w\" hint-placeholder-count=\"10\">\n            <button onclick=\"{{ w.open }}\" style=\"all:unset; cursor:pointer; display:flex; align-items:flex-start; gap:16px; width:100%; padding:18px 4px; border-bottom:1px solid #DAD6CA;\" style-hover=\"background:#EAE7DD;\">\n              <span style=\"font-family:'Courier Prime',monospace; font-size:14px; padding-top:3px; width:28px; flex:0 0 auto; color:#837F73;\">{{ w.num }}<\/span>\n              <span style=\"flex:1 1 auto; min-width:0;\">\n                <span style=\"display:block; font-size:clamp(18px,4.6vw,22px); font-weight:600; letter-spacing:-.015em; line-height:1.12;\">{{ w.title }}<\/span>\n                <span style=\"display:block; font-family:'Courier Prime',monospace; font-size:12px; color:#6E6A5E; margin-top:5px; line-height:1.4;\">{{ w.metaLine }}<\/span>\n              <\/span>\n              <span style=\"font-family:'Courier Prime',monospace; font-size:12px; flex:0 0 auto; color:#5E5B51; padding-top:3px;\">{{ w.duration }}<\/span>\n            <\/button>\n          <\/sc-for>\n        <\/section>\n      <\/sc-if>\n\n      <!-- =============== WORK (layered detail page) =============== -->\n      <sc-if value=\"{{ isWork }}\" hint-placeholder-val=\"{{ false }}\">\n        <article data-screen-label=\"Work\" style=\"{{ padStyle }};\">\n\n          <!-- HERO -->\n          <header style=\"max-width:1100px;\">\n            <div style=\"display:flex; align-items:baseline; gap:12px; font-family:'Courier Prime',monospace; font-size:13px; letter-spacing:.22em; text-transform:uppercase; color:#837F73;\">\n              <span>{{ STR.stop }}<\/span>\n              <span style=\"color:#1A1813;\">{{ cw.num }}<\/span>\n              <span style=\"opacity:.55;\">\/ {{ workCount }}<\/span>\n            <\/div>\n            <h1 style=\"margin:20px 0 0; font-size:clamp(36px,7vw,76px); font-weight:600; letter-spacing:-.035em; line-height:.95;\">{{ cw.title }}<\/h1>\n            <div style=\"margin-top:14px; font-family:'Courier Prime',monospace; font-size:14px; line-height:1.8; color:#5E5B51; white-space:pre-line;\">{{ cw.caption }}<\/div>\n          <\/header>\n\n          <!-- LAYER TABS -->\n          <sc-if value=\"{{ cw.showTabs }}\" hint-placeholder-val=\"{{ false }}\">\n            <nav class=\"no-scrollbar\" style=\"display:flex; flex-wrap:nowrap; overflow-x:auto; gap:2px; margin-top:clamp(22px,3.4vw,34px); border-bottom:1px solid #1A1813;\">\n              <sc-for list=\"{{ cw.tabs }}\" as=\"t\" hint-placeholder-count=\"3\">\n                <button onclick=\"{{ t.onClick }}\" style=\"{{ t.style }}\" style-hover=\"color:#1A1813;\">\n                  <span>{{ t.label }}<\/span>\n                  <sc-if value=\"{{ t.hasCount }}\" hint-placeholder-val=\"{{ false }}\"><span style=\"font-family:'Courier Prime',monospace; font-size:11px; opacity:.6;\"> {{ t.count }}<\/span><\/sc-if>\n                <\/button>\n              <\/sc-for>\n            <\/nav>\n          <\/sc-if>\n\n          <!-- ===== LISTEN ===== -->\n          <sc-if value=\"{{ tabListen }}\" hint-placeholder-val=\"{{ true }}\">\n          <div style=\"margin-top:clamp(24px,3.4vw,40px); display:flex; flex-wrap:wrap; gap:clamp(24px,4vw,52px); align-items:flex-start;\">\n            <!-- LEFT: image + player -->\n            <div style=\"flex:1 1 320px; max-width:420px;\">\n              <sc-if value=\"{{ cw.hasImage }}\" hint-placeholder-val=\"{{ false }}\">\n                <figure style=\"margin:0;\">\n                  <div style=\"border:1px solid #DAD6CA; background:#FBFAF6; display:flex; align-items:center; justify-content:center; padding:18px;\">\n                    <img ref=\"{{ cw.imageRef }}\" alt=\"{{ cw.title }}\" style=\"max-width:100%; max-height:440px; width:auto; height:auto; display:block;\">\n                  <\/div>\n                  <sc-if value=\"{{ cw.hasImageCredit }}\" hint-placeholder-val=\"{{ false }}\">\n                    <figcaption style=\"margin-top:8px; font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.02em; color:#908B7C;\">{{ cw.imageCredit }}<\/figcaption>\n                  <\/sc-if>\n                <\/figure>\n              <\/sc-if>\n              <sc-if value=\"{{ cw.noImage }}\" hint-placeholder-val=\"{{ true }}\">\n                <div style=\"aspect-ratio:4\/3; border:1px solid #DAD6CA; background:#FBFAF6; display:flex; flex-direction:column; align-items:center; justify-content:center; gap:10px; color:#A8A395;\">\n                  <svg width=\"34\" height=\"34\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1\"><rect x=\"3\" y=\"4\" width=\"18\" height=\"16\"><\/rect><path d=\"M3 16l5-5 4 4 3-3 6 6\"><\/path><circle cx=\"8.5\" cy=\"9\" r=\"1.4\"><\/circle><\/svg>\n                  <span style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.12em; text-transform:uppercase;\">{{ STR.imagePlaceholder }}<\/span>\n                <\/div>\n              <\/sc-if>\n              <div style=\"margin-top:20px; border:1px solid #1A1813; background:#1A1813; color:#F2F0EA; padding:20px 20px 22px;\">\n                <div style=\"display:flex; align-items:center; justify-content:space-between;\">\n                  <div style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.18em; text-transform:uppercase; opacity:.6;\">{{ STR.audioGuide }}<\/div>\n                  <button onclick=\"{{ cycleRate }}\" aria-label=\"{{ STR.aSpeed }}\" style=\"all:unset; cursor:pointer; font-family:'Courier Prime',monospace; font-size:12px; border:1px solid rgba(242,240,234,.32); padding:3px 8px;\">{{ workPlayerRate }}<\/button>\n                <\/div>\n                <div onclick=\"{{ seekWork }}\" role=\"slider\" tabindex=\"0\" aria-label=\"{{ STR.aSeek }}\" aria-valuetext=\"{{ workTime }} \/ {{ workDur }}\" style=\"cursor:pointer; margin-top:18px; height:20px; display:flex; align-items:center;\">\n                  <div style=\"position:relative; height:2px; width:100%; background:rgba(242,240,234,.25);\">\n                    <div style=\"position:absolute; left:0; top:0; bottom:0; background:#F2F0EA; width:{{ workPctStr }};\"><\/div>\n                    <div style=\"position:absolute; top:50%; transform:translate(-50%,-50%); width:9px; height:9px; border-radius:50%; background:#F2F0EA; left:{{ workPctStr }};\"><\/div>\n                  <\/div>\n                <\/div>\n                <div style=\"display:flex; align-items:center; justify-content:space-between; font-family:'Courier Prime',monospace; font-size:11px; opacity:.8; margin-top:6px;\">\n                  <span>{{ workTime }}<\/span><span>{{ workDur }}<\/span>\n                <\/div>\n                <div style=\"display:flex; align-items:center; justify-content:center; gap:26px; margin-top:14px;\">\n                  <button onclick=\"{{ skipBack }}\" aria-label=\"{{ STR.aBack }}\" style=\"all:unset; cursor:pointer; font-family:'Courier Prime',monospace; font-size:12px; opacity:.8; padding:8px;\">\u221210s<\/button>\n                  <button onclick=\"{{ playWork }}\" aria-label=\"{{ workPlayAria }}\" style=\"all:unset; cursor:pointer; width:60px; height:60px; background:var(--hot,#DD0005); color:#FFFFFF; border-radius:50%; display:flex; align-items:center; justify-content:center;\" style-hover=\"opacity:.88;\">\n                    <span aria-hidden=\"true\" style=\"font-size:20px; line-height:1;\">{{ workGlyph }}<\/span>\n                  <\/button>\n                  <button onclick=\"{{ skipFwd }}\" aria-label=\"{{ STR.aFwd }}\" style=\"all:unset; cursor:pointer; font-family:'Courier Prime',monospace; font-size:12px; opacity:.8; padding:8px;\">+10s<\/button>\n                <\/div>\n              <\/div>\n            <\/div>\n            <!-- RIGHT: transcript -->\n            <div style=\"flex:2 1 460px; min-width:0;\">\n              <sc-if value=\"{{ cw.trMissing }}\" hint-placeholder-val=\"{{ false }}\">\n                <div style=\"border:1px solid #DAD6CA; background:#FBFAF6; padding:12px 16px; margin-bottom:24px; font-family:'Courier Prime',monospace; font-size:12px; color:#5E5B51; letter-spacing:.02em;\">{{ STR.trMissing }}<\/div>\n              <\/sc-if>\n              <div style=\"display:flex; align-items:baseline; justify-content:space-between; gap:12px; border-bottom:1px solid #DAD6CA; padding-bottom:12px; margin-bottom:8px;\">\n                <div style=\"font-family:'Courier Prime',monospace; font-size:12px; letter-spacing:.18em; text-transform:uppercase; color:#6E6A5E;\">{{ STR.transcript }}<\/div>\n                <div style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.04em; color:#8A8578;\">{{ STR.transcriptHint }}<\/div>\n              <\/div>\n              <div style=\"max-width:60ch;\">\n                <sc-for list=\"{{ cw.blocks }}\" as=\"b\" hint-placeholder-count=\"6\">\n                  <div data-tactive=\"{{ b.activeFlag }}\" onclick=\"{{ b.seek }}\" onkeydown=\"{{ b.onKey }}\" role=\"button\" tabindex=\"0\" aria-label=\"{{ b.jumpLabel }}\" title=\"{{ b.jumpLabel }}\" style=\"cursor:pointer; transition:opacity .25s ease; border-radius:2px; opacity: {{ b.op }};\">\n                    <sc-if value=\"{{ b.isP }}\" hint-placeholder-val=\"{{ true }}\">\n                      <p style=\"font-size:clamp(17px,2.1vw,20px); line-height:1.75; color:#2C2A22; margin:0 0 22px;\">{{ b.text }}<\/p>\n                    <\/sc-if>\n                    <sc-if value=\"{{ b.isQuote }}\" hint-placeholder-val=\"{{ false }}\">\n                      <blockquote style=\"margin:6px 0 26px; padding-left:22px; border-left:2px solid #1A1813; font-family:'Courier Prime',monospace; font-size:clamp(16px,2.1vw,20px); line-height:1.7; color:#1A1813;\">{{ b.text }}<\/blockquote>\n                    <\/sc-if>\n                    <sc-if value=\"{{ b.isScore }}\" hint-placeholder-val=\"{{ false }}\">\n                      <div style=\"margin:14px 0 30px; padding:30px 16px; border-top:1px solid #1A1813; border-bottom:1px solid #1A1813; text-align:center; font-family:'Courier Prime',monospace; font-size:clamp(17px,2.4vw,23px); line-height:2; letter-spacing:.01em; color:#1A1813; white-space:pre-line;\">{{ b.text }}<\/div>\n                    <\/sc-if>\n                    <sc-if value=\"{{ b.isMemory }}\" hint-placeholder-val=\"{{ false }}\">\n                      <figure style=\"margin:0 0 22px; border:1px solid #DAD6CA; background:#FFFFFF; padding:20px 22px; box-shadow:0 1px 0 #E6E2D6, 4px 6px 0 -2px rgba(26,24,19,.05);\">\n                        <div style=\"font-family:'Courier Prime',monospace; font-size:clamp(15px,1.9vw,18px); line-height:1.7; color:#1A1813;\">{{ b.text }}<\/div>\n                        <figcaption style=\"margin-top:12px; padding-top:10px; border-top:1px dotted #CFCABB; font-family:'Courier Prime',monospace; font-size:13px; line-height:1.6; color:#908B7C; font-style:italic;\">{{ b.alt }}<\/figcaption>\n                      <\/figure>\n                    <\/sc-if>\n                  <\/div>\n                <\/sc-for>\n              <\/div>\n            <\/div>\n          <\/div>\n          <\/sc-if>\n\n          <!-- ===== INSTRUCTIONS (facsimile gallery) ===== -->\n          <sc-if value=\"{{ tabInstructions }}\" hint-placeholder-val=\"{{ false }}\">\n          <div style=\"margin-top:clamp(24px,3.4vw,40px);\">\n            <div style=\"display:flex; align-items:baseline; justify-content:space-between; border-bottom:1px solid #DAD6CA; padding-bottom:12px;\">\n              <div style=\"font-family:'Courier Prime',monospace; font-size:12px; letter-spacing:.18em; text-transform:uppercase; color:#837F73;\">{{ cw.galleryLabel }}<\/div>\n              <div style=\"font-family:'Courier Prime',monospace; font-size:12px; color:#837F73;\">{{ cw.galleryCount }} {{ STR.plates }}<\/div>\n            <\/div>\n            <div style=\"display:grid; grid-template-columns:{{ cw.galleryCols }}; gap:clamp(14px,2vw,26px); margin-top:24px;\">\n              <sc-for list=\"{{ cw.gallery }}\" as=\"p\" hint-placeholder-count=\"6\">\n                <button onclick=\"{{ p.open }}\" style=\"all:unset; cursor:pointer; display:block;\" style-hover=\"opacity:.9;\">\n                  <div style=\"position:relative; aspect-ratio:1\/1; border:1px solid #DAD6CA; background:#EFEBDF; overflow:hidden;\">\n                    <img ref=\"{{ p.imgRef }}\" alt=\"{{ p.title }}\" loading=\"lazy\" style=\"width:100%; height:100%; object-fit:cover; display:block;\">\n                    <div style=\"position:absolute; top:8px; left:8px; font-family:'Courier Prime',monospace; font-size:10px; letter-spacing:.1em; color:#1A1813; background:rgba(242,240,234,.7); padding:2px 6px;\">{{ p.plate }}<\/div>\n                  <\/div>\n                  <div style=\"margin-top:12px; min-height:2.5em; font-size:14px; font-weight:600; letter-spacing:-.01em; line-height:1.25; color:#1A1813;\">{{ p.title }}<\/div>\n                  <div style=\"font-family:'Courier Prime',monospace; font-size:12px; color:#908B7C; margin-top:2px;\">{{ p.date }}<\/div>\n                <\/button>\n              <\/sc-for>\n            <\/div>\n            <sc-if value=\"{{ cw.hasCredit }}\" hint-placeholder-val=\"{{ false }}\">\n              <div style=\"margin-top:clamp(28px,4vw,44px); padding-top:18px; border-top:1px solid #DAD6CA; font-family:'Courier Prime',monospace; font-size:13px; line-height:1.7; color:#5E5B51;\">\n                <div style=\"text-transform:uppercase; letter-spacing:.16em; font-size:11px; color:#A8A395; margin-bottom:6px;\">{{ STR.credit }}<\/div>\n                {{ cw.credit }}\n              <\/div>\n            <\/sc-if>\n          <\/div>\n          <\/sc-if>\n\n          <!-- ===== ABOUT (extended label) ===== -->\n          <sc-if value=\"{{ tabAbout }}\" hint-placeholder-val=\"{{ false }}\">\n          <div style=\"margin-top:clamp(24px,3.4vw,40px); max-width:68ch;\">\n            <div style=\"font-family:'Courier Prime',monospace; font-size:12px; letter-spacing:.18em; text-transform:uppercase; color:#837F73; border-bottom:1px solid #DAD6CA; padding-bottom:12px; margin-bottom:22px;\">{{ STR.about }}<\/div>\n            <p style=\"font-size:clamp(18px,2.4vw,23px); line-height:1.7; color:#1A1813; margin:0 0 26px; font-weight:500; letter-spacing:-.01em; text-wrap:pretty;\">{{ cw.label }}<\/p>\n            <sc-if value=\"{{ cw.hasCredit }}\" hint-placeholder-val=\"{{ false }}\">\n              <div style=\"margin-top:28px; padding-top:18px; border-top:1px solid #DAD6CA; font-family:'Courier Prime',monospace; font-size:13px; line-height:1.7; color:#5E5B51;\">\n                <div style=\"text-transform:uppercase; letter-spacing:.16em; font-size:11px; color:#A8A395; margin-bottom:6px;\">{{ STR.credit }}<\/div>\n                {{ cw.credit }}\n              <\/div>\n            <\/sc-if>\n          <\/div>\n          <\/sc-if>\n\n          <!-- prev \/ next -->\n          <div style=\"display:flex; gap:12px; margin-top:clamp(36px,5vw,56px); border-top:1px solid #DAD6CA; padding-top:22px; max-width:1100px;\">\n            <button onclick=\"{{ prevStop }}\" style=\"{{ prevStyle }}\" style-hover=\"border-color:#1A1813; color:#1A1813;\">\n              <span style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.1em; text-transform:uppercase; color:#837F73; display:block;\">\u2190 {{ STR.prev }}<\/span>\n              <span style=\"font-size:15px; font-weight:600; letter-spacing:-.01em;\">{{ prevTitle }}<\/span>\n            <\/button>\n            <button onclick=\"{{ nextStop }}\" style=\"{{ nextStyle }}\" style-hover=\"border-color:#1A1813; color:#1A1813;\">\n              <span style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.1em; text-transform:uppercase; color:#837F73; display:block;\">{{ STR.next }} \u2192<\/span>\n              <span style=\"font-size:15px; font-weight:600; letter-spacing:-.01em;\">{{ nextTitle }}<\/span>\n            <\/button>\n          <\/div>\n        <\/article>\n      <\/sc-if>\n\n    <\/main>\n\n    <!-- ===================== MOBILE MINI-PLAYER ===================== -->\n    <sc-if value=\"{{ showMobilePlayer }}\" hint-placeholder-val=\"{{ false }}\">\n      <div style=\"position:fixed; left:0; right:0; bottom:0; z-index:30; background:#1A1813; color:#F2F0EA;\">\n        <div onclick=\"{{ seek }}\" style=\"cursor:pointer; height:3px; background:rgba(242,240,234,.22); position:relative;\">\n          <div style=\"position:absolute; left:0; top:0; bottom:0; background:#F2F0EA; width:{{ player.pctStr }};\"><\/div>\n        <\/div>\n        <div style=\"display:flex; align-items:center; gap:14px; padding:12px 16px;\">\n          <button onclick=\"{{ playToggle }}\" aria-label=\"Play\/Pause\" style=\"all:unset; cursor:pointer; width:42px; height:42px; flex:0 0 auto; background:var(--hot,#DD0005); color:#FFFFFF; border-radius:50%; display:flex; align-items:center; justify-content:center;\">\n            <span style=\"font-size:15px; line-height:1;\">{{ player.glyph }}<\/span>\n          <\/button>\n          <button onclick=\"{{ openPlayerWork }}\" style=\"all:unset; cursor:pointer; flex:1 1 auto; min-width:0;\">\n            <div style=\"font-family:'Courier Prime',monospace; font-size:10px; letter-spacing:.24em; text-transform:uppercase; opacity:.45; margin-bottom:6px;\">{{ STR.nowPlaying }} \u00b7 {{ player.num }}<\/div>\n            <div style=\"font-size:15px; font-weight:700; letter-spacing:-.01em; line-height:1.1; white-space:nowrap; overflow:hidden; text-overflow:ellipsis;\">{{ player.title }}<\/div>\n          <\/button>\n          <div style=\"font-family:'Courier Prime',monospace; font-size:11px; opacity:.8; flex:0 0 auto;\">{{ player.time }}<\/div>\n        <\/div>\n      <\/div>\n    <\/sc-if>\n\n    <!-- ===================== LIGHTBOX (original + translation) ===================== -->\n    <sc-if value=\"{{ lightboxOpen }}\" hint-placeholder-val=\"{{ false }}\">\n      <div style=\"position:fixed; inset:0; z-index:70; background:rgba(20,18,14,.95); display:flex; flex-direction:column;\">\n        <div style=\"display:flex; align-items:center; justify-content:space-between; padding:16px clamp(16px,3vw,32px); color:#F2F0EA; flex:0 0 auto; border-bottom:1px solid rgba(242,240,234,.14);\">\n          <div style=\"display:flex; align-items:center; gap:18px;\">\n            <div style=\"font-family:'Courier Prime',monospace; font-size:12px; letter-spacing:.14em; opacity:.7;\">{{ lb.counter }}<\/div>\n            <div style=\"display:flex; gap:8px;\">\n              <button onclick=\"{{ lbPrev }}\" aria-label=\"Previous\" style=\"all:unset; cursor:pointer; width:38px; height:38px; border:1px solid rgba(242,240,234,.4); border-radius:50%; color:#F2F0EA; display:flex; align-items:center; justify-content:center; font-size:16px;\" style-hover=\"background:rgba(242,240,234,.12);\">\u2190<\/button>\n              <button onclick=\"{{ lbNext }}\" aria-label=\"Next\" style=\"all:unset; cursor:pointer; width:38px; height:38px; border:1px solid rgba(242,240,234,.4); border-radius:50%; color:#F2F0EA; display:flex; align-items:center; justify-content:center; font-size:16px;\" style-hover=\"background:rgba(242,240,234,.12);\">\u2192<\/button>\n            <\/div>\n          <\/div>\n          <button onclick=\"{{ closeLightbox }}\" aria-label=\"Close\" style=\"all:unset; cursor:pointer; font-size:24px; line-height:1; color:#F2F0EA;\">\u2715<\/button>\n        <\/div>\n\n        <div class=\"yo-scroll\" style=\"flex:1 1 auto; min-height:0; overflow:auto; display:flex; flex-wrap:wrap; align-items:stretch;\">\n          <!-- ORIGINAL (facsimile) -->\n          <figure style=\"margin:0; flex:1.5 1 460px; min-width:320px; display:flex; flex-direction:column; padding:clamp(18px,3vw,40px); border-right:1px solid rgba(242,240,234,.14);\">\n            <figcaption style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.2em; text-transform:uppercase; color:rgba(242,240,234,.5); margin-bottom:16px;\">{{ STR.original }}<\/figcaption>\n            <div style=\"flex:1 1 auto; display:flex; align-items:center; justify-content:center; min-height:0;\">\n              <img ref=\"{{ lb.imgRef }}\" alt=\"{{ lb.title }}\" style=\"max-width:100%; max-height:82vh; object-fit:contain; box-shadow:0 20px 60px rgba(0,0,0,.5); background:#EFEBDF;\">\n            <\/div>\n          <\/figure>\n          <!-- TRANSLATION -->\n          <div style=\"flex:1 1 380px; min-width:300px; padding:clamp(18px,3vw,40px); color:#F2F0EA; display:flex; flex-direction:column;\">\n            <div style=\"font-family:'Courier Prime',monospace; font-size:11px; letter-spacing:.2em; text-transform:uppercase; color:rgba(242,240,234,.5); margin-bottom:16px;\">{{ lb.textLabel }}<\/div>\n            <div style=\"font-size:clamp(15px,2.6vw,17px); letter-spacing:.12em; text-transform:uppercase; font-weight:600; margin-bottom:4px;\">{{ lb.title }}<\/div>\n            <div style=\"font-family:'Courier Prime',monospace; font-size:13px; opacity:.55; margin-bottom:24px;\">{{ lb.date }}<\/div>\n            <div style=\"font-family:'Courier Prime',monospace; font-size:clamp(16px,2.7vw,19px); line-height:1.95; white-space:pre-line; color:#F2F0EA; max-width:46ch;\">{{ lb.text }}<\/div>\n          <\/div>\n        <\/div>\n      <\/div>\n    <\/sc-if>\n\n  <\/div>\n  <\/sc-if>\n<\/div>\t\t\t<script\n\t\t\t\ttype=\"text\/x-dc\"\n\t\t\t\tdata-dc-script\n\t\t\t\tdata-ssm-logic-url=\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/themes\/ssm-audio-guide\/assets\/original\/js\/dc-component.js\"\n\t\t\t\tdata-props=\"{\n  &quot;$preview&quot;: { &quot;width&quot;: &quot;100%&quot;, &quot;height&quot;: 860 },\n  &quot;defaultLanguage&quot;: { &quot;editor&quot;: &quot;enum&quot;, &quot;options&quot;: [&quot;en&quot;, &quot;tr&quot;], &quot;default&quot;: &quot;en&quot;, &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Setup&quot; },\n  &quot;paperColor&quot;: { &quot;editor&quot;: &quot;color&quot;, &quot;default&quot;: &quot;#FFFFFF&quot;, &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Theme&quot; },\n  &quot;railColor&quot;: { &quot;editor&quot;: &quot;color&quot;, &quot;default&quot;: [&quot;#F2F0EA&quot;, &quot;#FFFFFF&quot;, &quot;#F4F1E9&quot;, &quot;#EEEAE0&quot;], &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Theme&quot; },\n  &quot;inkColor&quot;: { &quot;editor&quot;: &quot;color&quot;, &quot;default&quot;: &quot;#1A1813&quot;, &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Theme&quot; },\n  &quot;hotColor&quot;: { &quot;editor&quot;: &quot;color&quot;, &quot;default&quot;: [&quot;#DD0005&quot;, &quot;#1A1813&quot;, &quot;#264E36&quot;, &quot;#1E3A5F&quot;], &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Theme&quot; },\n  &quot;accentColor&quot;: { &quot;editor&quot;: &quot;color&quot;, &quot;default&quot;: [&quot;#1A1813&quot;, &quot;#264E36&quot;, &quot;#7A2E1E&quot;, &quot;#1E3A5F&quot;], &quot;tsType&quot;: &quot;string&quot;, &quot;section&quot;: &quot;Theme&quot; }\n}\"\n\t\t\t><\/script>\n\t\t<\/x-dc>\n\t<\/div>\n\t<script>\n\twindow.EXHIBITION_META = {\"tagline\":{\"en\":\"\",\"tr\":\"\"},\"colophon\":{\"en\":\"\",\"tr\":\"\"},\"copyright\":\"\",\"exhibition\":{\"en\":\"Insound and Instructure\",\"tr\":\"\u0130\u00e7ses ve \u0130\u00e7yap\u0131\"},\"artist\":\"Yoko Ono\",\"venue\":{\"en\":\"Sak\u0131p Sabanc\u0131 Museum\",\"tr\":\"Sak\u0131p Sabanc\u0131 M\u00fczesi\"},\"venueShort\":\"SSM\",\"curators\":{\"en\":\"Jon Hendricks, Connor Monahan, \u00c1lvaro Rodr\u00edguez Fominaya, Ahu Antmen\",\"tr\":\"Jon Hendricks, Connor Monahan, \u00c1lvaro Rodr\u00edguez Fominaya, Ahu Antmen\"},\"curatedByLabel\":{\"en\":\"\",\"tr\":\"\"},\"partner\":{\"en\":\"In collaboration with MUSAC, Le\u00f3n\",\"tr\":\"MUSAC, Le\u00f3n i\u015fbirli\u011fiyle\"},\"audioGuideLabel\":{\"en\":\"\",\"tr\":\"\"},\"beginLabel\":{\"en\":\"\",\"tr\":\"\"},\"homeIntro\":{\"en\":\"\",\"tr\":\"\"},\"logos\":{\"mainUrl\":\"\",\"splashUrl\":\"\",\"venueUrl\":\"https:\/\/sakipsabancimuzesi.org\"}};\n\twindow.EXHIBITION_DATA = [{\"key\":\"intro\",\"kind\":\"intro\",\"num\":\"01\",\"title\":{\"en\":\"INTRODUCTION\",\"tr\":\"G\u0130R\u0130\u015e\"},\"caption\":{\"en\":\"\",\"tr\":\"\"},\"durationSec\":101,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Welcome to <em>Yoko Ono: Insound and Instructure<\/em>.\"},{\"t\":\"p\",\"text\":\"Organized under the direction of Yoko Ono\u2019s studio and jointly prepared by Sak\u0131p Sabanc\u0131 Museum and MUSAC, the Museum of Contemporary Art of Castilla y Le\u00f3n in Spain, this exhibition brings together works that exemplify different periods in the seven-decade practice of Yoko Ono, one of the most influential artists of our time.\"},{\"t\":\"p\",\"text\":\"Born in Tokyo in 1933, Yoko Ono is a pioneering figure in conceptual and participatory art, performance art, film and music.\"},{\"t\":\"p\",\"text\":\"From her earliest works in the 1950s, Ono was in dialogue with Fluxus, the avant-garde art movement. She developed projects with figures such as John Cage, La Monte Young and, later, John Lennon. Yet most importantly, she developed a language of her own that makes the viewer an essential part of her work.\"},{\"t\":\"p\",\"text\":\"As you move through our galleries, you will encounter historic performances, participatory installation pieces, films, music and more recent projects that continue to sustain Ono\u2019s imagination and commitment to peace. These are works not only to be seen, but to be experienced; they become complete only with your participation.\"},{\"t\":\"p\",\"text\":\"This tour offers a special opportunity to explore Yoko Ono\u2019s universe, to grasp the broad horizon of her career and to see the important role she has played in the history of contemporary art.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"<em>Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131<\/em> sergisine ho\u015f geldiniz.\"},{\"t\":\"p\",\"text\":\"Yoko Ono\u2019nun st\u00fcdyosu y\u00f6netiminde, \u0130spanya\u2019daki MUSAC \u00c7a\u011fda\u015f Sanatlar M\u00fczesi ile Sak\u0131p Sabanc\u0131 M\u00fczesi\u2019nin i\u015fbirli\u011fiyle haz\u0131rlanan bu sergi, zaman\u0131m\u0131z\u0131n en etkili sanat\u00e7\u0131lar\u0131ndan biri olan Yoko Ono\u2019nun yetmi\u015f y\u0131la yay\u0131lan \u00fcretiminin farkl\u0131 d\u00f6nemlerini \u00f6rnekleyen yap\u0131tlar\u0131n\u0131 bir araya getiriyor.\"},{\"t\":\"p\",\"text\":\"1933\u2019te Tokyo\u2019da do\u011fan Yoko Ono; kavramsal ve kat\u0131l\u0131mc\u0131 sanat, performans sanat\u0131, sinema ve m\u00fczik alanlar\u0131nda \u00f6nc\u00fc bir isimdir. 1950\u2019lerdeki ilk yap\u0131tlar\u0131ndan itibaren Ono, Fluxus ad\u0131yla bilinen avangart sanat hareketiyle i\u015fbirli\u011fi i\u00e7indeydi. John Cage, La Monte Young ve daha sonra John Lennon gibi isimlerle birlikte projeler \u00fcretti. Ancak en \u00f6nemlisi, izleyiciyi yap\u0131t\u0131n\u0131n vazge\u00e7ilmez bir par\u00e7as\u0131 haline getiren, kendine \u00f6zg\u00fc bir dil geli\u015ftirmesiydi.\"},{\"t\":\"p\",\"text\":\"Galerilerimizde gezerken, sanat tarihinde iz b\u0131rakan performanslar, kat\u0131l\u0131mc\u0131 enstalasyon par\u00e7alar\u0131, filmler, m\u00fczikler ve Ono\u2019nun hayal g\u00fcc\u00fc ve bar\u0131\u015fa adanm\u0131\u015fl\u0131\u011f\u0131n\u0131 ya\u015fatmaya devam eden daha yak\u0131n d\u00f6nem projeleriyle kar\u015f\u0131la\u015facaks\u0131n\u0131z. Bunlar yaln\u0131zca seyredilecek de\u011fil, deneyimlenecek yap\u0131tlard\u0131r ve ancak sizin kat\u0131l\u0131m\u0131n\u0131zla tamamlan\u0131r.\"},{\"t\":\"p\",\"text\":\"Bu tur, Yoko Ono\u2019nun evrenini ke\u015ffetmek, kariyerinin geni\u015f ufkunu kavramak ve \u00e7a\u011fda\u015f sanat tarihinde oynad\u0131\u011f\u0131 \u00f6nemli rol\u00fc g\u00f6rmek i\u00e7in \u00f6zel bir olanak sunuyor.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-01V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/01.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1AXJI_yoko-scaled.jpg\",\"imageCredit\":{\"en\":\"Yoko Ono with EN TRANCE, 1990. Photo: Bjarke \u00d8rsted \u00a9 Yoko Ono\",\"tr\":\"Yoko Ono, KEND\u0130NDEN GE\u00c7\u0130\u015e ile, 1990. Foto\u011fraf: Bjarke \u00d8rsted \u00a9 Yoko Ono\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"nutopia\",\"kind\":\"work\",\"num\":\"02\",\"title\":{\"en\":\"NUTOPIAN EMBASSY & DECLARATION OF NUTOPIA\",\"tr\":\"NUTOPYA EL\u00c7\u0130L\u0130\u011e\u0130 & NUTOPYA B\u0130LD\u0130RGES\u0130\"},\"caption\":{\"en\":\"1973\\nEngraved metal plaque and print\",\"tr\":\"1973\\nKaz\u0131mal\u0131 metal plaket ve bask\u0131\"},\"durationSec\":80,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Imagine a country with no borders, no passports, no territory. A country that exists only in the consciousness of those who believe in it.\"},{\"t\":\"p\",\"text\":\"<em>Nutopia<\/em> was born in 1973, when Yoko Ono and John Lennon were faced with the threat of being deported from the United States because of their pacifist activism. In that context, they decided to create an imaginary country: \u201ca country that exists within each of us.\u201d\"},{\"t\":\"p\",\"text\":\"At a press conference, they waved a white handkerchief and stated:\"},{\"t\":\"quote\",\"text\":\"\u201c<em>This is a flag for surrendering to peace<\/em>.\u201d\"},{\"t\":\"p\",\"text\":\"Not fighting for peace, but surrendering to it: that was the key.\"},{\"t\":\"p\",\"text\":\"The plaque you see here, with the inscription <em>Nutopian Embassy<\/em>, was placed by John on the kitchen door of the couple\u2019s New York apartment. Yoko and John were the country\u2019s first ambassadors, but not its only ones. Every person who imagines peace, acts for peace and thinks about peace belongs to Nutopia.\"},{\"t\":\"p\",\"text\":\"Because Nutopia has no territory or human laws.\"},{\"t\":\"p\",\"text\":\"It has only citizens who, from love and imagination, create a common space:\"},{\"t\":\"p\",\"text\":\"A world where peace is not achieved; it is inhabited.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"S\u0131n\u0131rlar\u0131, pasaportlar\u0131, topra\u011f\u0131 olmayan bir \u00fclke hayal edin. Yaln\u0131zca ona inananlar\u0131n bilincinde var olan bir \u00fclke.\"},{\"t\":\"p\",\"text\":\"<em>Nutopya<\/em> 1973\u2019te, Yoko Ono ve John Lennon\u2019\u0131n pasifist aktivizmi nedeniyle Amerika Birle\u015fik Devletleri\u2019nden s\u0131n\u0131r d\u0131\u015f\u0131 edilme tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya kald\u0131klar\u0131 d\u00f6nemde do\u011fdu. S\u00f6z konusu ortamda, hayal\u00ee bir \u00fclke yaratmaya karar verdiler: \\\"her birimizin i\u00e7inde var olan bir \u00fclke.\\\"\"},{\"t\":\"p\",\"text\":\"Bir bas\u0131n toplant\u0131s\u0131nda beyaz bir mendil sallad\u0131lar ve \u015funu s\u00f6ylediler:\"},{\"t\":\"quote\",\"text\":\"\u201cBu, bar\u0131\u015fa teslim olman\u0131n bayra\u011f\u0131d\u0131r.\u201d\"},{\"t\":\"p\",\"text\":\"Bar\u0131\u015f i\u00e7in sava\u015fmak de\u011fil, bar\u0131\u015fa teslim olmak: Anahtar buydu.\"},{\"t\":\"p\",\"text\":\"Burada g\u00f6rd\u00fc\u011f\u00fcn\u00fcz, \u00fczerinde <em>Nutopya El\u00e7ili\u011fi<\/em> yazan plaka, John taraf\u0131ndan \u00e7iftin New York\u2019taki dairesinde mutfak kap\u0131s\u0131na yerle\u015ftirilmi\u015fti. Yoko ve John bu \u00fclkenin ilk el\u00e7ileriydi; ama tek el\u00e7ileri de\u011fildi. Bar\u0131\u015f\u0131 hayal eden, bar\u0131\u015f i\u00e7in harekete ge\u00e7en ve d\u00fc\u015f\u00fcnen herkes Nutopya\u2019ya aittir.\"},{\"t\":\"p\",\"text\":\"\u00c7\u00fcnk\u00fc Nutopya\u2019n\u0131n topra\u011f\u0131 ya da be\u015fer\u00ee yasalar\u0131 yoktur.\"},{\"t\":\"p\",\"text\":\"Yaln\u0131zca sevgi ve hayal g\u00fcc\u00fcnden hareketle ortak bir alan kuran yurtta\u015flar\u0131 vard\u0131r:\"},{\"t\":\"p\",\"text\":\"Bar\u0131\u015f\u0131n kazan\u0131lmad\u0131\u011f\u0131; mesken tutuldu\u011fu bir d\u00fcnya.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-02V02.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/02.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1QICS_Nutopia_1.jpg\",\"imageCredit\":{\"en\":\"NUTOPIAN EMBASSY (1973). \u00a9 Yoko Ono\",\"tr\":\"NUTOPYA EL\u00c7\u0130L\u0130\u011e\u0130 (1973). \u00a9 Yoko Ono\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO19084_YO-DeclarationofNutopia.jpg\",\"title\":{\"en\":\"Declaration of Nutopia\",\"tr\":\"Nutopya Bildirgesi\"},\"text\":{\"en\":\"We announce the birth of a conceptual country, NUTOPIA.\\n\\nCitizenship of the country can be obtained by declaration of your awareness of NUTOPIA.\\n\\nNUTOPIA has no land, no boundries, no passports, only people.\\n\\nNUTOPIA has no laws other than cosmic.\\n\\nAll people of NUTOPIA are ambassadors of the country.\\n\\nAs two ambassadors of NUTOPIA, we ask for diplomatic immunity and recognition in the United Nations of our country and its people.\\n\\nNutopian Embassy\\nOne White Street\\nNew York, N.Y. 10013\\nApril 1st, 1973\\n\\nJohn Ono Lennon\\nYoko Ono Lennon\",\"tr\":\"Kavramsal bir \u00fclkenin, NUTOPYA'n\u0131n do\u011fu\u015funu ilan ediyoruz.\\n\\n\u00dclkenin vatanda\u015fl\u0131\u011f\u0131, NUTOPYA'dan haberdar oldu\u011funuzu beyan ederek edinilebilir.\\n\\nNUTOPYA'n\u0131n topra\u011f\u0131, s\u0131n\u0131rlar\u0131, pasaportu yoktur; yaln\u0131zca insanlar\u0131 vard\u0131r.\\n\\nNUTOPYA'n\u0131n kozmik olandan ba\u015fka yasas\u0131 yoktur.\\n\\nNUTOPYA'n\u0131n t\u00fcm halk\u0131, \u00fclkenin el\u00e7ileridir.\\n\\nNUTOPYA'n\u0131n iki el\u00e7isi olarak, \u00fclkemiz ve halk\u0131 i\u00e7in diplomatik dokunulmazl\u0131k ve Birle\u015fmi\u015f Milletler'de tan\u0131nma talep ediyoruz.\\n\\nNutopya El\u00e7ili\u011fi\\nOne White Street\\nNew York, N.Y. 10013\\n1 Nisan 1973\\n\\nJohn Ono Lennon\\nYoko Ono Lennon\"},\"date\":{\"en\":\"\",\"tr\":\"\"}}],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"en-trance\",\"kind\":\"work\",\"num\":\"03\",\"title\":{\"en\":\"EN TRANCE\",\"tr\":\"KEND\u0130NDEN GE\u00c7\u0130\u015e\"},\"caption\":{\"en\":\"1990\\nWood, mirrored glass, stainless steel, white paint, blue beads, and concept sketches for work\",\"tr\":\"1990\\nAh\u015fap, aynal\u0131 cam, paslanmaz \u00e7elik, beyaz boya, mavi boncuklar ve yap\u0131t\u0131n kavramsal eskizleri\"},\"durationSec\":85,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Before us is <em>En Trance,<\/em> an installation made of wood, mirrored glass, stainless steel and white paint.\"},{\"t\":\"p\",\"text\":\"This is not merely a structure; it is an invitation.\"},{\"t\":\"p\",\"text\":\"Before you are four entrances, four different ways of crossing the threshold. Each one opens onto a different bodily experience.\"},{\"t\":\"score\",\"text\":\"Before moving forward, stop. Observe.<br \/>Which path do you want to take?<br \/>That moment of decision is the central idea of this piece.\"},{\"t\":\"p\",\"text\":\"For Yoko Ono, choosing is a state of consciousness; a symbolic way of accessing the world and, from there, one\u2019s own creative universe.\"},{\"t\":\"p\",\"text\":\"The glass reflects your image; the space surrounds you. With every step you take, the piece changes with you; reflections, light and the sound of your movements all become part of this transformation.\"},{\"t\":\"p\",\"text\":\"On the wall nearby, you will see four original drawings by the artist. In them, Ono describes how this piece is to be built and the different kinds of entrances that make it possible.\"},{\"t\":\"p\",\"text\":\"Now breathe. Cross the threshold.\"},{\"t\":\"p\",\"text\":\"In this piece, art happens the moment you decide to take part.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Kar\u015f\u0131m\u0131zda ah\u015fap, aynal\u0131 cam, paslanmaz \u00e7elik ve beyaz boyadan olu\u015fan <em>Kendinden Ge\u00e7i\u015f<\/em> adl\u0131 enstalasyon var.\"},{\"t\":\"p\",\"text\":\"Bu sadece bir yap\u0131 de\u011fil; bir davet.\"},{\"t\":\"p\",\"text\":\"\u00d6n\u00fcn\u00fczde d\u00f6rt giri\u015f, e\u015fi\u011fi a\u015fman\u0131n d\u00f6rt ayr\u0131 yolu uzan\u0131yor. Her biri farkl\u0131 bir bedensel deneyime a\u00e7\u0131l\u0131yor.\"},{\"t\":\"score\",\"text\":\"\u0130lerlemeden \u00f6nce durun. G\u00f6zlemleyin.<br \/> <br \/>Hangi yolu se\u00e7mek istiyorsunuz?<br \/> <br \/>\u0130\u015fte bu karar an\u0131, bu yap\u0131t\u0131n ana fikrini olu\u015fturuyor.\"},{\"t\":\"p\",\"text\":\"Yoko Ono i\u00e7in se\u00e7im yapmak bir bilin\u00e7 hali; d\u00fcnyaya, oradan da ki\u015finin kendi yarat\u0131c\u0131 evrenine eri\u015fmenin simgesel bir yolu.\"},{\"t\":\"p\",\"text\":\"Cam, g\u00f6r\u00fcnt\u00fcn\u00fcz\u00fc yans\u0131t\u0131r; mek\u00e2n sizi \u00e7evreler. Her ad\u0131m\u0131n\u0131zda yap\u0131t sizinle birlikte de\u011fi\u015fir; yans\u0131malar, \u0131\u015f\u0131k ve hareketlerinizin sesi bu d\u00f6n\u00fc\u015f\u00fcme kat\u0131l\u0131r.\"},{\"t\":\"p\",\"text\":\"Yandaki duvarda sanat\u00e7\u0131n\u0131n d\u00f6rt \u00f6zg\u00fcn \u00e7izimini g\u00f6receksiniz. Bu \u00e7izimlerde Ono, bu par\u00e7an\u0131n nas\u0131l in\u015fa edilece\u011fini ve onu m\u00fcmk\u00fcn k\u0131lan farkl\u0131 giri\u015f t\u00fcrlerini tarif ediyor.\"},{\"t\":\"p\",\"text\":\"\u015eimdi nefes al\u0131n. E\u015fi\u011fi ge\u00e7in.\"},{\"t\":\"p\",\"text\":\"Bu par\u00e7ada sanat, siz kat\u0131lmaya karar verdi\u011finiz anda ger\u00e7ekle\u015fecek.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-03V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/03.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SSM-Yoko-Ono_solo-show_Photo-Copyright_Murat-Germen_2026_107.jpg\",\"imageCredit\":{\"en\":\"EN TRANCE (1990) in Yoko Ono: Insound and Instructure, SSM. Photograph by Murat Germen. \u00a9 Yoko Ono\",\"tr\":\"KEND\u0130NDEN GE\u00c7\u0130\u015e, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Murat Germen. \u00a9 Yoko Ono\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO18X3F_YO2958_ENTRANCEA.jpg\",\"title\":{\"en\":\"A.\",\"tr\":\"A.\"},\"text\":{\"en\":\"The very narrow entrance you have to walk sideways to go through.\\n\\nMirrors on both sides of the walls.\\n\\nY.O. \u201997\",\"tr\":\"\u0130\u00e7inden ge\u00e7ebilmek i\u00e7in yan yan y\u00fcr\u00fcmen gereken \u00e7ok dar bir giri\u015f.\\n\\nKoridorun iki yan\u0131nda aynalar.\\n\\nY.O. \u201997\"},\"date\":{\"en\":\"\",\"tr\":\"\"}},{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1A245_YO2958_ENTRANCEC.jpg\",\"title\":{\"en\":\"C.\",\"tr\":\"C.\"},\"text\":{\"en\":\"Side view \/ front view\\n\\nNormal entrance with stairs. It slides down on the other side to a small exit.\",\"tr\":\"Yan g\u00f6r\u00fcn\u00fc\u015f \/ \u00f6nden g\u00f6r\u00fcn\u00fc\u015f\\n\\nBasamakl\u0131 normal bir giri\u015f. \u00d6teki tarafta k\u00fc\u00e7\u00fck bir \u00e7\u0131k\u0131\u015fa do\u011fru al\u00e7al\u0131yor.\"},\"date\":{\"en\":\"\",\"tr\":\"\"}},{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1A23D_YO2958_ENTRANCEE.jpg\",\"title\":{\"en\":\"E.\",\"tr\":\"E.\"},\"text\":{\"en\":\"Two normal looking entrances which lead you out again.\",\"tr\":\"Yine d\u0131\u015far\u0131 \u00e7\u0131karan normal g\u00f6r\u00fcn\u00fcml\u00fc iki giri\u015f.\"},\"date\":{\"en\":\"\",\"tr\":\"\"}},{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1A23U_YO2958_ENTRANCEF.jpg\",\"title\":{\"en\":\"F.\",\"tr\":\"F.\"},\"text\":{\"en\":\"An entrance with a beaded curtain in the color of the blue of the sky.\\n\\nYou go through the beaded curtain to enter.\",\"tr\":\"G\u00f6ky\u00fcz\u00fc mavisinde boncuklu perdeli bir giri\u015f.\\n\\nBoncuklu perdenin i\u00e7inden ge\u00e7iyorsun.\"},\"date\":{\"en\":\"\",\"tr\":\"\"}}],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"Concept sketches\",\"tr\":\"Yap\u0131ttan Se\u00e7kiler\"}},{\"key\":\"yes\",\"kind\":\"work\",\"num\":\"04\",\"title\":{\"en\":\"YES\",\"tr\":\"EVET\"},\"caption\":{\"en\":\"Acrylic on linen primed with white gesso\",\"tr\":\"Beyaz gesso astarl\u0131 keten \u00fczerine akrilik\"},\"durationSec\":53,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"<em>Yes<\/em> emerged at a time when everything around the artist was saying \u201cno.\u201d For Ono, this word therefore became an affirmation, an openness in the face of the obstacles and refusals she encountered throughout her life.\"},{\"t\":\"p\",\"text\":\"This piece is part of a broader series called <em>Instruction Paintings<\/em>, which began in 1995, and continues to resonate today. In this exhibition, you can see works from the series featuring words such as \u201copen,\u201d \u201cbreathe\u201d and \u201cimagine.\u201d These words are an invitation to engage your imagination and participate mentally in the work.\"},{\"t\":\"p\",\"text\":\"As we will see throughout this visit, Yoko Ono\u2019s art seeks transformation; through the imagination, it shows the power of the mind to do good.\"},{\"t\":\"p\",\"text\":\"<em>Yes<\/em>, with its minimalist and poetic message, reminds us that there is always room for hope, affirmation and the freedom to dream.\"},{\"t\":\"p\",\"text\":\"In its presence, everything is possible.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"<em>Evet<\/em>, sanat\u00e7\u0131n\u0131n \u00e7evresindeki her \u015feyin \u201chay\u0131r\u201d dedi\u011fi bir d\u00f6nemde ortaya \u00e7\u0131kt\u0131. Bu nedenle Ono i\u00e7in bu s\u00f6zc\u00fck, hayat\u0131 boyunca kar\u015f\u0131la\u015ft\u0131\u011f\u0131 engeller ve reddedilmeler kar\u015f\u0131s\u0131nda bir olumlama, bir a\u00e7\u0131kl\u0131kt\u0131.\"},{\"t\":\"p\",\"text\":\"1995\u2019te ba\u015flayan <em>Talimat Resimleri<\/em> adl\u0131 daha geni\u015f bir serinin par\u00e7as\u0131 olan bu eser, etkinli\u011fini h\u00e2l\u00e2 s\u00fcrd\u00fcr\u00fcyor. Bu sergide \u201ca\u00e7\u0131k\u201d, \u201cnefes al\u201d ve \u201chayal et\u201d gibi s\u00f6zc\u00fcklerin yer ald\u0131\u011f\u0131 yap\u0131tlar g\u00f6r\u00fclebilir. Bu s\u00f6zc\u00fckler hayal g\u00fcc\u00fcn\u00fcz\u00fc devreye sokman\u0131z ve zihninizde yap\u0131ta m\u00fcdahil olman\u0131z i\u00e7in bir \u00e7a\u011fr\u0131d\u0131r.\"},{\"t\":\"p\",\"text\":\"Bu ziyaret boyunca g\u00f6rece\u011fimiz gibi, Yoko Ono\u2019nun sanat\u0131 d\u00f6n\u00fc\u015f\u00fcm\u00fc ama\u00e7lar; imgelemi kullanarak zihnin iyilik yapma g\u00fcc\u00fcn\u00fc g\u00f6sterir.\"},{\"t\":\"p\",\"text\":\"<em>Evet<\/em>, minimalist ve \u015fiirsel mesaj\u0131yla umut, olumlama ve d\u00fc\u015f kurma \u00f6zg\u00fcrl\u00fc\u011f\u00fc i\u00e7in her zaman yer oldu\u011funu hat\u0131rlat\u0131r.\"},{\"t\":\"p\",\"text\":\"Onun oldu\u011fu yerde her \u015fey m\u00fcmk\u00fcnd\u00fcr.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-04V4.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/04v2.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SSM-Yoko-Ono_solo-show_Photo-Copyright_Murat-Germen_2026_15.jpg\",\"imageCredit\":{\"en\":\"INSTRUCTION PAINTINGS, Yoko Ono: Insound and Instructure, SSM. Photograph by Murat Germen.\",\"tr\":\"TAL\u0130MAT RES\u0130MLER\u0130, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Murat Germen\"},\"label\":{\"en\":\"The word \u201cYES\u201d is closely associated with Ono\u2019s CEILING PAINTING (YES PAINTING) (1966), exhibited at the Indica Gallery in London, where she first met John Lennon. Lennon later recalled being struck by the work\u2019s affirmative message. Ono explained that \u201cit was a time I needed the word yes in my life.\u201d Since then, Ono has returned to the word repeatedly throughout her work. For Ono, YES is not simply a word but an invitation: a gesture of openness, possibility, and participation that runs throughout her practice. This painting is one of several single-word instruction paintings presented throughout the exhibition, works that use language to activate thought, perception, and imagination.\",\"tr\":\"\u201cEVET\u201d s\u00f6zc\u00fc\u011f\u00fc, Ono\u2019nun Londra\u2019daki Indica Gallery\u2019de sergilenen ve John Lennon ile ilk kez tan\u0131\u015ft\u0131\u011f\u0131 TAVAN RESM\u0130 (EVET RESM\u0130) (1966) ile yak\u0131ndan ili\u015fkilidir. Lennon daha sonra yap\u0131t\u0131n olumlu mesaj\u0131ndan etkilendi\u011fini hat\u0131rlar. Ono ise, \u201cHayat\u0131mda \u2018evet\u2019 s\u00f6zc\u00fc\u011f\u00fcne ihtiya\u00e7 duydu\u011fum bir zamand\u0131\u201d diye a\u00e7\u0131klar. O zamandan beri Ono, yap\u0131tlar\u0131nda bu s\u00f6zc\u00fc\u011fe tekrar tekrar geri d\u00f6nm\u00fc\u015ft\u00fcr. Ono i\u00e7in EVET sadece bir s\u00f6zc\u00fck de\u011fil, bir davettir: sanat\u0131n\u0131n tamam\u0131nda yer alan bir a\u00e7\u0131kl\u0131k, olas\u0131l\u0131k ve kat\u0131l\u0131m eylemidir. Sergi boyunca farkl\u0131 \u00f6rnekleriyle de kar\u015f\u0131la\u015faca\u011f\u0131n\u0131z bu resim; d\u00fc\u015f\u00fcnceyi, alg\u0131y\u0131 ve hayal g\u00fcc\u00fcn\u00fc harekete ge\u00e7irmek i\u00e7in dili kullanan tek s\u00f6zc\u00fckl\u00fc talimat resimleri aras\u0131ndad\u0131r.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"cut-piece\",\"kind\":\"work\",\"num\":\"05\",\"title\":{\"en\":\"CUT PIECE\",\"tr\":\"KESME PAR\u00c7ASI\"},\"caption\":{\"en\":\"1964\\n16mm B\/W film and stereo sound, transferred to video\\nPerformed by Yoko Ono in New Works of Yoko Ono, Carnegie Recital Hall, New York, March 21, 1965\\nFilmed by David and Albert Maysles\\n8\u2032 27\u2033\",\"tr\":\"1964\\n16 mm siyah-beyaz film ve stereo ses, videoya aktar\u0131m\\nYoko Ono taraf\u0131ndan Yoko Ono\u2019nun Yeni Yap\u0131tlar\u0131 kapsam\u0131nda, Carnegie Recital Hall, New York\u2019ta 21 Mart 1965\u2019te ger\u00e7ekle\u015ftirildi\\nDavid ve Albert Maysles taraf\u0131ndan filme \u00e7ekildi\\n8\u2032 27\u2033\"},\"durationSec\":103,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"quote\",\"text\":\"<em>\u201cThe performer sits onstage with a pair of scissors placed in front of her. It is announced that members of the audience may come onstage, one at a time, to cut a small piece of her clothing and take it with them. The performer remains motionless throughout the piece.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Silence. A seated woman. A pair of scissors. An invitation.\"},{\"t\":\"p\",\"text\":\"Are clothing and scissors merely the materials of a performance piece?\"},{\"t\":\"p\",\"text\":\"Or are they tools that strip away the boundaries between giving and taking, respect and desire?\"},{\"t\":\"p\",\"text\":\"Yoko Ono first performed <em>Cut Piece<\/em> in 1964 in Kyoto, Japan, and later in different cities around the world. Each audience responded to her in different ways, and the performance became, each time, a mirror that captured the pulse of its own moment.\"},{\"t\":\"p\",\"text\":\"Here, Ono does not perform; she gives herself over. Her stillness is a form of resistance, a meditation on action. Her immobility makes visible a society ready to take whatever is placed before it. Without uttering a word, she offers her vulnerability as a form of strength.\"},{\"t\":\"p\",\"text\":\"The piece draws on Buddhist principles and on a philosophy of self-giving rooted in generosity: <em>\u201cGive, give, and give again.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"With this serene gesture, Ono transforms violence into possibility, and destruction into an act of creation.\"},{\"t\":\"p\",\"text\":\"And you? What would you do if a pair of scissors were placed in your hands?\"}],\"tr\":[{\"t\":\"quote\",\"text\":\"<em>\u201cPerformans\u00e7\u0131 sahnede, \u00f6n\u00fcne yerle\u015ftirilmi\u015f bir makasla birlikte oturur. \u0130zleyicilere sahneye teker teker gelerek giysisinden k\u00fc\u00e7\u00fck bir par\u00e7a kesip yanlar\u0131nda g\u00f6t\u00fcrebilecekleri duyurulur. Performans\u00e7\u0131 par\u00e7a boyunca hareketsiz kal\u0131r.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Sessizlik. Oturan bir kad\u0131n. Bir makas. Bir davet.\"},{\"t\":\"p\",\"text\":\"Giysi ve makas yaln\u0131zca bir performans par\u00e7as\u0131n\u0131n malzemeleri midir?\"},{\"t\":\"p\",\"text\":\"Yoksa vermek ile almak, sayg\u0131 ile arzu aras\u0131ndaki s\u0131n\u0131rlar\u0131 soyan ara\u00e7lar m\u0131d\u0131r?\"},{\"t\":\"p\",\"text\":\"Yoko Ono <em>Kesme Par\u00e7as\u0131<\/em>\u2019n\u0131 ilk kez 1964\u2019te Kyoto, Japonya\u2019da, sonraysa d\u00fcnyan\u0131n farkl\u0131 \u015fehirlerinde ger\u00e7ekle\u015ftirdi. Her izleyici grubu ona farkl\u0131 bi\u00e7imlerde kar\u015f\u0131l\u0131k verdi ve performans, her defas\u0131nda kendi zaman\u0131n\u0131n nabz\u0131n\u0131 tutan bir aynaya d\u00f6n\u00fc\u015ft\u00fc.\"},{\"t\":\"p\",\"text\":\"Burada Ono bir performans icra etmez, kendini teslim eder. Dinginli\u011fi bir direni\u015f bi\u00e7imidir; eylem \u00fczerine bir meditasyondur. Hareketsizli\u011fi, \u00f6n\u00fcne \u00e7\u0131kan her \u015feyi almaya haz\u0131r bir toplumu g\u00f6r\u00fcn\u00fcr k\u0131lar. Tek kelime etmeden k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 bir g\u00fc\u00e7 bi\u00e7imi olarak sunar.\"},{\"t\":\"p\",\"text\":\"Par\u00e7a, Budist ilkelerden ve c\u00f6mertli\u011fe dayanan bir kendinden verme felsefesinden beslenir: <em>\u201cVer, ver ve yeniden ver.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Ono bu sakin davran\u0131\u015fla \u015fiddeti olas\u0131l\u0131\u011fa, y\u0131k\u0131m\u0131 ise yaratma eylemine d\u00f6n\u00fc\u015ft\u00fcr\u00fcr.\"},{\"t\":\"p\",\"text\":\"Peki ya siz? Elinize bir makas verilseydi ne yapard\u0131n\u0131z?\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-05v2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/05.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1GHXC_4650595_Cut-Piece-1965-065-RT.jpg\",\"imageCredit\":{\"en\":\"Cut Piece, 1965. Still from the 16 mm film recording of the performance, shot by David and Albert Maysles.\",\"tr\":\"Kesme Par\u00e7as\u0131, 1965. Performans\u0131n David ve Albert Maysles taraf\u0131ndan \u00e7ekilen 16 mm film kayd\u0131ndan bir kare.\"},\"label\":{\"en\":\"Yoko Ono is considered a pioneer of performance art, and CUT PIECE is among her most influential and widely recognized works. She has performed it on at least six occasions: the first time in July 1964 in Kyoto, in Tokyo, and the following year at New York\u2019s Carnegie Hall, which is the version shown in this video. In this piece, the artist takes the stage with a pair of scissors and invites members of the audience, one at a time, to cut away her clothing. The piece has elicited multiple interpretations. In 1967, Ono remarked: \u201cIt was a form of giving, giving and taking. It was a kind of criticism against artists, who are always giving what they want to give. I wanted people to take whatever they wanted to, so it was very important to say you can cut wherever you want to.\u201d\",\"tr\":\"Performans sanat\u0131n\u0131n \u00f6nc\u00fclerinden biri olarak kabul edilen Yoko Ono\u2019nun KESME PAR\u00c7ASI, sanat\u00e7\u0131n\u0131n en \u00e7ok bilinen ve etkili yap\u0131tlar\u0131 aras\u0131ndad\u0131r. Bu performans\u0131 en az alt\u0131 kez sahneledi\u011fi bilinmektedir: ilki Temmuz 1964\u2019te Kyoto\u2019da, ard\u0131ndan Tokyo\u2019da ve ertesi y\u0131l New York\u2019taki Carnegie Hall\u2019da (bu videoda g\u00f6sterilen versiyon). Burada sanat\u00e7\u0131, bir makasla sahneye \u00e7\u0131kar ve izleyicilerden tek tek k\u0131yafetlerini kesmelerini ister. \u00c7ok farkl\u0131 \u015fekillerde yorumlanan yap\u0131tla ilgili Yoko Ono, 1967\u2019de yapt\u0131\u011f\u0131 bir konu\u015fmada \u015f\u00f6yle der: \u201cBu bir t\u00fcr verme bi\u00e7imiydi; bir al\u0131\u015fveri\u015fti. Her zaman kendi istediklerini veren sanat\u00e7\u0131lara kar\u015f\u0131 bir t\u00fcr ele\u015ftiriydi. \u0130nsanlar\u0131n istediklerini almalar\u0131n\u0131 istedim, bu y\u00fczden istedikleri yerden kesebileceklerini s\u00f6ylemek \u00e7ok \u00f6nemliydi.\u201d\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"amaze\",\"kind\":\"work\",\"num\":\"06\",\"title\":{\"en\":\"AMAZE\",\"tr\":\"\u015eA\u015eIRT\"},\"caption\":{\"en\":\"1971\\nInstallation, wood, metal, paint, plexiglass and toilet\",\"tr\":\"1971\\nEnstalasyon, ah\u015fap, metal, boya, pleksiglas ve tuvalet\"},\"durationSec\":85,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Here, we invite you to enter the piece called <em>Amaze<\/em>.\"},{\"t\":\"p\",\"text\":\"Made of transparent and mirrored plexiglass, this installation is not designed only to be looked at; it must be walked through, examined and discovered as you move between its walls.\"},{\"t\":\"p\",\"text\":\"Hidden within the title, <em>Amaze<\/em>, is another word for labyrinth. In Ono\u2019s own words, this piece is <em>\u201ca construction in which we enter and walk. When you move through it, you immediately realize that this is life. Every day is amazing, every day you learn so many things.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"As you move through the piece, you will see reflections of yourself and of other visitors. You will discover that some areas are semi-private, while others are completely visible. You may feel disoriented, curious, or perhaps a little vulnerable. All of this is part of the experience.\"},{\"t\":\"p\",\"text\":\"At every turn and in every reflection, the artist invites us to look and to be looked at; to question privacy and our relationship with space and with those around us. She reminds us that, even if we think we can control everything, there will always remain something beyond our reach, calling us to look, to feel and to discover.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Burada sizi<em> \u015ea\u015f\u0131rt<\/em> adl\u0131 par\u00e7an\u0131n i\u00e7ine girmeye davet ediyoruz.\"},{\"t\":\"p\",\"text\":\"\u015eeffaf ve aynal\u0131 pleksiglastan olu\u015fan bu enstalasyon, yaln\u0131zca bak\u0131lmak i\u00e7in tasarlanmam\u0131\u015ft\u0131r; i\u00e7inden y\u00fcr\u00fcnmesi, duvarlar\u0131 aras\u0131nda dola\u015f\u0131larak incelenmesi ve ke\u015ffedilmesi gerekir.\"},{\"t\":\"p\",\"text\":\"Yap\u0131t\u0131n \u00f6zg\u00fcn \u0130ngilizce ismi <em>Amaze<\/em>\u2019in i\u00e7inde, labirent anlam\u0131na gelen ba\u015fka bir kelime sakl\u0131d\u0131r. Ono\u2019nun kendi s\u00f6zleriyle bu par\u00e7a,\"},{\"t\":\"quote\",\"text\":\"<em>\u201ci\u00e7ine girdi\u011fimiz ve i\u00e7inde y\u00fcr\u00fcd\u00fc\u011f\u00fcm\u00fcz bir yap\u0131d\u0131r. \u0130\u00e7inden ge\u00e7ti\u011finizde bunun hayat\u0131n ta kendisi oldu\u011funu hemen fark edersiniz. Her g\u00fcn \u015fa\u015f\u0131rt\u0131c\u0131d\u0131r, her g\u00fcn \u00e7ok \u015fey \u00f6\u011frenirsiniz.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Par\u00e7an\u0131n i\u00e7inde ilerlerken kendinizin ve di\u011fer ziyaret\u00e7ilerin yans\u0131malar\u0131n\u0131 g\u00f6receksiniz. Baz\u0131 alanlar\u0131n yar\u0131 mahrem, baz\u0131lar\u0131n\u0131n ise tamamen g\u00f6r\u00fcn\u00fcr oldu\u011funu ke\u015ffedeceksiniz. Y\u00f6n\u00fcn\u00fcz\u00fc \u015fa\u015f\u0131rabilir, merak duyabilir ya da belki biraz k\u0131r\u0131lgan hissedebilirsiniz. T\u00fcm bunlar deneyimin bir par\u00e7as\u0131d\u0131r.\"},{\"t\":\"p\",\"text\":\"Her d\u00f6n\u00fc\u015fte ve yans\u0131mada sanat\u00e7\u0131 bizi bakmaya ve bak\u0131lmaya; mahremiyeti, mek\u00e2nla ve \u00e7evremizdekilerle kurdu\u011fumuz ili\u015fkiyi sorgulamaya davet eder. Bize hat\u0131rlat\u0131r ki her \u015feyi denetleyebilece\u011fimizi sansak da her zaman elimizin eri\u015femedi\u011fi, bizi bakmaya, hissetmeye ve ke\u015ffetmeye \u00e7a\u011f\u0131ran bir \u015feyler kal\u0131r.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-06V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/06.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/06-amaze-screenshot.jpg\",\"imageCredit\":{\"en\":\"AMAZE in Yoko Ono: Insound and Instructure, SSM. Image: Flashbang Productions.\",\"tr\":\"\u015eA\u015eIRT, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. G\u00f6r\u00fcnt\u00fc: Flashbang Productions.\"},\"label\":{\"en\":\"First presented in 1971 during Ono\u2019s exhibition at Everson Art Museum, this installation invites visitors to navigate a plexiglass maze toward a mirrored chamber with a toilet at its center. As one moves through the work, the relationship between observer and observed begins to shift. What initially appears to be an act of looking, gradually becomes an experience of being looked at.\",\"tr\":\"\u0130lk kez 1971\u2019de Yoko Ono\u2019nun Everson Sanat M\u00fczesi\u2019nde a\u00e7\u0131lan sergisinde sunulan bu enstalasyon, ziyaret\u00e7ileri pleksiglas bir labirentten ge\u00e7erek ortas\u0131nda tuvalet bulunan aynal\u0131 bir odaya do\u011fru ilerlemeye davet eder. Yap\u0131t\u0131n i\u00e7inde ilerledik\u00e7e g\u00f6zlemleyen ve g\u00f6zlemlenen aras\u0131ndaki ili\u015fki de\u011fi\u015fmeye ba\u015flar. Ba\u015flang\u0131\u00e7ta bakma eylemi gibi g\u00f6r\u00fcnen \u015fey, giderek bir izlenme deneyimine d\u00f6n\u00fc\u015f\u00fcr.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"penal-colony\",\"kind\":\"work\",\"num\":\"07\",\"title\":{\"en\":\"PENAL COLONY\",\"tr\":\"CEZA KOLON\u0130S\u0130\"},\"caption\":{\"en\":\"2001\u20132004\\nYoko Ono with Arata Isozaki\\n6 inkjet prints and Ono\u2019s instruction text\",\"tr\":\"2001\u20132004\\nYoko Ono, Arata Isozaki ile\\nM\u00fcrekkep p\u00fcsk\u00fcrtmeli 6 bask\u0131 ve Ono\u2019nun talimat metni\"},\"durationSec\":80,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Imagine a cell built from blocks of ice in the middle of an Arctic winter. A space that seems solid, rigid and resistant, but is by its very nature destined to disappear: with spring, its walls slowly begin to melt.\"},{\"t\":\"p\",\"text\":\"This image, created by Yoko Ono in collaboration with architect Arata Isozaki in 2004, was inspired by Franz Kafka\u2019s <em>In the Penal Colony<\/em>. A prison made of frozen water: an architecture of captivity and, at the same time, of liberation.\"},{\"t\":\"p\",\"text\":\"As you can see, this work is not physically present here; it is represented by photographs documenting the original installation. Yet even looking at these representations is enough to set our imagination in motion:\"},{\"t\":\"p\",\"text\":\"What would it be like to enter this ice pavilion?\"},{\"t\":\"p\",\"text\":\"What is it like to be enclosed within a structure you know will soon disappear?\"},{\"t\":\"p\",\"text\":\"<em>Penal Colony<\/em> speaks to us of visible and invisible prisons, of borders and walls. But it also speaks of the fragility of institutions and the possibility that everything can change. As Ono wrote in one of her songs:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cThe prison is made of ice, and it melts in the spring.\u201d<\/em>\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Kuzey Kutbu k\u0131\u015f\u0131n\u0131n ortas\u0131nda, buz bloklar\u0131ndan \u00f6r\u00fclm\u00fc\u015f bir h\u00fccre hayal edin. Sa\u011flam, kat\u0131, diren\u00e7li g\u00f6r\u00fcnen; ama varl\u0131\u011f\u0131 gere\u011fi yok olmaya yazg\u0131l\u0131 bir mek\u00e2n: Baharla birlikte duvarlar\u0131 yava\u015f\u00e7a \u00e7\u00f6z\u00fcl\u00fcyor.\"},{\"t\":\"p\",\"text\":\"Yoko Ono\u2019nun, mimar Arata Isozaki i\u015fbirli\u011fiyle 2004\u2019te kurdu\u011fu bu imge, Franz Kafka\u2019n\u0131n <em>Ceza Kolonisinde<\/em> ba\u015fl\u0131kl\u0131 metninden esinlenir. Donmu\u015f sudan yap\u0131lm\u0131\u015f bir hapishane: esaretin ve ayn\u0131 zamanda \u00f6zg\u00fcrle\u015fmenin mimarisi.\"},{\"t\":\"p\",\"text\":\"G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi bu yap\u0131t fiziksel olarak burada yer alm\u0131yor; \u00f6zg\u00fcn enstalasyonu belgeleyen foto\u011fraflarla temsil ediliyor. Fakat bu temsillere bakmak bile hayal g\u00fcc\u00fcm\u00fcz\u00fc harekete ge\u00e7irmeye yetiyor:\"},{\"t\":\"p\",\"text\":\"Bu buzdan pavyonun i\u00e7ine girmek nas\u0131l bir \u015fey olurdu?\"},{\"t\":\"p\",\"text\":\"Yak\u0131nda yok olaca\u011f\u0131n\u0131 bildi\u011finiz bir yap\u0131n\u0131n i\u00e7inde kapal\u0131 kalmak nas\u0131l bir \u015feydir?\"},{\"t\":\"p\",\"text\":\"<em>Ceza Kolonisi<\/em> bize g\u00f6r\u00fcnen ve g\u00f6r\u00fcnmeyen hapishanelerden, s\u0131n\u0131rlar ve duvarlardan s\u00f6z eder. Fakat ayn\u0131 zamanda kurumlar\u0131n k\u0131r\u0131lganl\u0131\u011f\u0131ndan ve her \u015feyin de\u011fi\u015febilme ihtimalinden de bahseder. Ono\u2019nun bir \u015fark\u0131s\u0131nda yazd\u0131\u011f\u0131 gibi:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cHapishane buzdan yap\u0131lm\u0131\u015ft\u0131r ve ilkbaharda erir.\u201d<\/em>\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-07V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/07.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO19BT9_Penal_Colony_trans.jpg\",\"imageCredit\":{\"en\":\"Yoko Ono and Arata Isozaki\u2019s PENAL COLONY (2001\/2004) in The Snow Show, University of Lapland, Rovaniemi, Finland, 2004. Photograph by Ville Kostamoinen. \u00a9 Yoko Ono\",\"tr\":\"Yoko Ono ve Arata Isozaki\u2019nin CEZA KOLON\u0130S\u0130 (2001\/2004) yap\u0131t\u0131, Kar G\u00f6sterisi i\u00e7inde, Lapland \u00dcniversitesi, Rovaniemi, Finlandiya, 2004. Foto\u011fraf: Ville Kostamoinen. \u00a9 Yoko Ono\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/PenalColony.jpg\",\"title\":{\"en\":\"PENAL COLONY\",\"tr\":\"CEZA KOLON\u0130S\u0130\"},\"text\":{\"en\":\"In Spring\\nIt melts away\\n\\ny.o.\",\"tr\":\"\u0130lkbaharda\\nEriyip gider.\\n\\ny.o.\"},\"date\":{\"en\":\"\",\"tr\":\"\"}}],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"voice-piece\",\"kind\":\"work\",\"num\":\"08\",\"title\":{\"en\":\"VOICE PIECE FOR SOPRANO\",\"tr\":\"SOPRANO \u0130\u00c7\u0130N SES PAR\u00c7ASI\"},\"caption\":{\"en\":\"1961\\nPublic participation performance, amplifier, microphone, and artist\u2019s instruction text\",\"tr\":\"1961\\n\u0130zleyici kat\u0131l\u0131m\u0131na a\u00e7\u0131k performans; amplifikat\u00f6r, mikrofon ve sanat\u00e7\u0131n\u0131n talimat metni\"},\"durationSec\":78,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"score\",\"text\":\"\\\"<em>Scream. <\/em><br \/><em>Against the wind. <\/em><br \/><em>Against the wall. <\/em><br \/><em>Against the sky.<\/em>\\\"\"},{\"t\":\"p\",\"text\":\"Yoko Ono conceived this scream as an act of liberation and emancipation, especially for women\u2019s voices, which have historically been silenced or conditioned to obey a series of rules.\"},{\"t\":\"p\",\"text\":\"Ono\u2019s childhood in Japan was shaped in the shadow of these expectations. She learned to listen to women\u2019s voices reduced to whispers, confined within patterns of \u201cappropriate\u201d behavior.\"},{\"t\":\"p\",\"text\":\"As an adult, she would put it this way:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cI was not a traditional Japanese woman, and that made them feel disappointed.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"This piece arises from the need to break away from imposed social norms and to affirm the freedom to express oneself with one\u2019s whole being.\"},{\"t\":\"p\",\"text\":\"Ono explains it as follows:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cMy scream is an act of communication. I scream to free us all of what prevents us from really communicating.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"The microphone before you is not a passive object: it is an invitation to join this call, to turn your voice into an instrument of freedom; a bridge that connects you to others and an act of resistance against everything that represses, limits and controls us.\"}],\"tr\":[{\"t\":\"score\",\"text\":\"\\\"Hayk\u0131r.<br \/>R\u00fczg\u00e2ra kar\u015f\u0131.<br \/>Duvara kar\u015f\u0131.<br \/>G\u00f6ky\u00fcz\u00fcne kar\u015f\u0131.\\\"\"},{\"t\":\"p\",\"text\":\"Yoko Ono bu \u00e7\u0131\u011fl\u0131\u011f\u0131 bir \u00f6zg\u00fcrle\u015fme ve ba\u011f\u0131ms\u0131zla\u015fma eylemi olarak tasarlad\u0131; \u00f6zellikle de tarih boyunca susturulmu\u015f ya da bir dizi kurala uymaya ko\u015fulland\u0131r\u0131lm\u0131\u015f kad\u0131n sesleri i\u00e7in.\"},{\"t\":\"p\",\"text\":\"Ono'nun Japonya'daki \u00e7ocuklu\u011fu, bu beklentilerin g\u00f6lgesinde \u015fekillendi. O da \\\"uygun\\\" davran\u0131\u015f kal\u0131plar\u0131na hapsedilerek f\u0131s\u0131lt\u0131ya indirgenmi\u015f kad\u0131n seslerini dinlemeyi \u00f6\u011frendi.\"},{\"t\":\"p\",\"text\":\"Yeti\u015fkinlik y\u0131llar\u0131nda bunu \u015f\u00f6yle ifade edecekti:\"},{\"t\":\"quote\",\"text\":\"\\\"Geleneksel bir Japon kad\u0131n\u0131 de\u011fildim ve bu onlar\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frat\u0131yordu.\\\"\"},{\"t\":\"p\",\"text\":\"Bu par\u00e7a, dayat\u0131lan toplumsal normlardan kopma ve kendini b\u00fct\u00fcn varl\u0131\u011f\u0131yla ifade etme \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc olumlama ihtiyac\u0131ndan do\u011fdu.\"},{\"t\":\"p\",\"text\":\"Ono bunu \u015f\u00f6yle a\u00e7\u0131kl\u0131yor:\"},{\"t\":\"quote\",\"text\":\"\\\"\u00c7\u0131\u011fl\u0131\u011f\u0131m bir ileti\u015fim eylemidir. Ger\u00e7ek ileti\u015fimin \u00f6n\u00fcndeki engellerden hep birlikte \u00f6zg\u00fcrle\u015febilmemiz i\u00e7in \u00e7\u0131\u011fl\u0131k at\u0131yorum.\\\"\"},{\"t\":\"p\",\"text\":\"\u00d6n\u00fcn\u00fczdeki mikrofon pasif bir nesne de\u011fildir: bu \u00e7a\u011fr\u0131ya kat\u0131lmaya, sesinizi bir \u00f6zg\u00fcrl\u00fck arac\u0131na d\u00f6n\u00fc\u015ft\u00fcrmeye davettir; sizi ba\u015fkalar\u0131na ba\u011flayan bir k\u00f6pr\u00fc ve bizi bast\u0131ran, s\u0131n\u0131rlayan, denetleyen her \u015feye kar\u015f\u0131 bir direni\u015f eylemidir.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-08V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/08.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/08-soprano-screenshot.jpg\",\"imageCredit\":{\"en\":\"VOICE PIECE FOR SOPRANO in Yoko Ono: Insound and Instructure, SSM. Image: Flashbang Productions.\",\"tr\":\"SOPRANO \u0130\u00c7\u0130N SES PAR\u00c7ASI, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. G\u00f6r\u00fcnt\u00fc: Flashbang Productions.\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[{\"src\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO1A47J_YO8220-GrapefruitPages_VoicePieceforSoprano_C.jpg\",\"title\":{\"en\":\"VOICE PIECE FOR SOPRANO\",\"tr\":\"SOPRANO \u0130\u00c7\u0130N SES PAR\u00c7ASI\"},\"text\":{\"en\":\"Scream.\\n     1. against the wind\\n     2. against the wall\\n     3. against the sky\\n\\n1961 autumn\",\"tr\":\"Hayk\u0131r.\\n\\n1. r\u00fczgara kar\u015f\u0131.\\n2. duvara kar\u015f\u0131.\\n3. g\u00f6ky\u00fcz\u00fcne kar\u015f\u0131.\\n\\n1961 sonbahar\u0131\"},\"date\":{\"en\":\"\",\"tr\":\"\"}}],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"vertical-memory\",\"kind\":\"work\",\"num\":\"09\",\"title\":{\"en\":\"VERTICAL MEMORY\",\"tr\":\"D\u0130KEY BELLEK\"},\"caption\":{\"en\":\"1997\\n21 framed Iris prints and 22 plexiglass plaques\",\"tr\":\"1997\\n21 \u00e7er\u00e7eveli Iris bask\u0131 ve 22 pleksiglas levha\"},\"durationSec\":94,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"The same face repeated 21 times. The same, but different.\"},{\"t\":\"p\",\"text\":\"Each image is made by superimposing the faces of the three most important people in Yoko Ono\u2019s life: her father Eisuke, her husband John and their son Sean.\"},{\"t\":\"p\",\"text\":\"Three generations, three presences, melting and merging into a single gaze.\"},{\"t\":\"p\",\"text\":\"Throughout the series, these images are accompanied by fragments of memory. Brief scenes made up of experiences such as childhood, love, fear and distance:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cI remember being born and looking into his eyes. He picked me up and slapped my bottom. I screamed.\u201d<\/em>\"},{\"t\":\"quote\",\"text\":\"<em>\u201cI was two-and-a-half when I arrived in San Francisco on a liner to meet him for the first time.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Each text is a personal memory. At the same time, it is a reflection on the bonds the artist formed with the men in her life. It also makes visible the hierarchies and intimacies that shaped her experience.\"},{\"t\":\"p\",\"text\":\"<em>Vertical Memory<\/em> traces the path of a vertical line that functions as an autobiography, while also offering a silent critique of the masculine power that governs much of the world.\"},{\"t\":\"p\",\"text\":\"Yoko Ono is not proposing that we occupy the same space; on the contrary, she asks us to imagine other ways of being together: more open, more human. Shared.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Ayn\u0131 y\u00fcz 21 kez tekrarlan\u0131yor. Ayn\u0131 ama farkl\u0131.\"},{\"t\":\"p\",\"text\":\"Her g\u00f6r\u00fcnt\u00fc, Yoko Ono\u2019nun hayat\u0131ndaki en \u00f6nemli \u00fc\u00e7 ki\u015finin y\u00fczlerinin \u00fcst \u00fcste bindirilmesiyle olu\u015fuyor: babas\u0131 Eisuke, e\u015fi John ve o\u011fullar\u0131 Sean.\"},{\"t\":\"p\",\"text\":\"\u00dc\u00e7 ku\u015fak, \u00fc\u00e7 varolu\u015f, tek bir bak\u0131\u015fta eriyip birle\u015fiyor.\"},{\"t\":\"p\",\"text\":\"Seri boyunca bu g\u00f6r\u00fcnt\u00fclere an\u0131 par\u00e7alar\u0131 e\u015flik ediyor. \u00c7ocukluk, a\u015fk, korku, mesafe gibi deneyimlerden olu\u015fan k\u0131sa sahneler:\"},{\"t\":\"quote\",\"text\":\"\u201c<em>Do\u011fdu\u011fumu ve g\u00f6zlerine bakt\u0131\u011f\u0131m\u0131 hat\u0131rl\u0131yorum. Beni kuca\u011f\u0131na ald\u0131 ve popoma bir \u015faplak att\u0131. \u00c7\u0131\u011fl\u0131k att\u0131m.<\/em>\u201d\"},{\"t\":\"quote\",\"text\":\"\u201c<em>Onu ilk defa g\u00f6rmek i\u00e7in bir yolcu gemisiyle San Francisco\u2019ya geldi\u011fimde iki bu\u00e7uk ya\u015f\u0131ndayd\u0131m.<\/em>\u201d\"},{\"t\":\"p\",\"text\":\"Her metin ki\u015fisel bir an\u0131d\u0131r. Ayn\u0131 zamanda sanat\u00e7\u0131n\u0131n hayat\u0131ndaki erkeklerle kurdu\u011fu ba\u011flar \u00fczerine d\u00fc\u015f\u00fcnceleridir. Onun deneyimine y\u00f6n veren hiyerar\u015fileri ve yak\u0131nl\u0131klar\u0131 da g\u00f6r\u00fcn\u00fcr k\u0131lar.\"},{\"t\":\"p\",\"text\":\"<em>Dikey Bellek<\/em>, bir otobiyografi niteli\u011fi ta\u015f\u0131yan dikey bir \u00e7izginin izini s\u00fcrerken, d\u00fcnyan\u0131n b\u00fcy\u00fck k\u0131sm\u0131na h\u00fckmeden eril iktidara y\u00f6nelik sessiz bir ele\u015ftiri de sunar.\"},{\"t\":\"p\",\"text\":\"Yoko Ono, bizim de ayn\u0131 alan\u0131 i\u015fgal etmemizi \u00f6nermiyor; aksine, birlikte olman\u0131n ba\u015fka yollar\u0131n\u0131 d\u00fc\u015flememizi istiyor: daha a\u00e7\u0131k, daha insani. M\u00fc\u015fterek.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-09V5.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/09.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/09-vertical-screenshot.jpg\",\"imageCredit\":{\"en\":\"VERTICAL MEMORY in Yoko Ono: Insound and Instructure, SSM. Image: Flashbang Productions.\",\"tr\":\"D\u0130KEY BELLEK, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. G\u00f6r\u00fcnt\u00fc: Flashbang Productions.\"},\"label\":{\"en\":\"A series of 21 photographs superimposes digitally manipulated images of three men who have been central figures in the artist\u2019s life\u2014her father, her husband, and her son\u2014creating a composite portrait of the three. Ono says, \u201cEvery photo represents the man who was looking over me in a precise moment when I went through an important situation in my life.\u201d The bottom plaques narrate her observations and experiences, a metaphorical portrait of her life, from birth to death. As in much of Ono\u2019s work, text plays a central role, transforming the photographs from images of specific individuals into a reflection on memory, experience, and the passage of a life.\",\"tr\":\"21 foto\u011fraftan olu\u015fan bu seride, Yoko Ono\u2019nun hayat\u0131nda temel rol oynayan \u00fc\u00e7 erkek fig\u00fcr\u00fcn\u00fcn (babas\u0131, kocas\u0131 ve o\u011flu) dijital olarak \u00fcst \u00fcste bindirilerek elde edilmi\u015f g\u00f6r\u00fcnt\u00fcleri, birle\u015fik bir portre olu\u015fturur. Ono, \u201cHer foto\u011fraf, hayat\u0131mda \u00f6nemli bir durum ya\u015fad\u0131\u011f\u0131m bir anda bana bakan bir adam\u0131 temsil ediyor.\u201d diye a\u00e7\u0131klar. G\u00f6zlemlerini ve deneyimlerini anlatan alt k\u0131s\u0131mdaki levhalar, sanat\u00e7\u0131n\u0131n do\u011fumundan \u00f6l\u00fcme kadar uzanan hayat\u0131n\u0131n metaforik bir portresidir. Ono\u2019nun \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00e7o\u011funda oldu\u011fu gibi, metin merkez\u00ee bir rol oynayarak foto\u011fraflar\u0131 belirli bireylerin g\u00f6r\u00fcnt\u00fcleri olmaktan \u00e7\u0131kar\u0131r; haf\u0131za, deneyim ve ya\u015fam\u0131n ak\u0131\u015f\u0131 gibi konular\u0131n bir yans\u0131mas\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"franklin-summer\",\"kind\":\"work\",\"num\":\"10\",\"title\":{\"en\":\"FRANKLIN SUMMER\",\"tr\":\"FRANKLIN YAZI\"},\"caption\":{\"en\":\"1994\u20132006\\n36 ink drawings on paper\",\"tr\":\"1994\u20132006\\n36 adet k\u00e2\u011f\u0131t \u00fczerine m\u00fcrekkep \u00e7izim\"},\"durationSec\":76,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Imagine a summer on Yoko Ono\u2019s farm in Franklin, New York: trees, wildflowers, frogs in a pond.\"},{\"t\":\"p\",\"text\":\"From that silence and that light, a single dot is born on a sheet of paper. From that dot, others emerge; they gather, disperse and slowly become figures that seem to float, vibrate and breathe. This is how <em>Franklin Summer<\/em> came into being: a stream of images in which Yoko Ono\u2019s hand follows the energy of its own imagination.\"},{\"t\":\"p\",\"text\":\"Geometric and organic lines come together in small constellations that evoke nature: molecules, currents of water, birds in flight, embryo-like forms, intergalactic swirls.\"},{\"t\":\"p\",\"text\":\"Every trace of the pen is a murmur; every accumulation of dots, a heartbeat: the drawing becomes a landscape oscillating between the microscopic and the cosmic, the tangible and the ethereal.\"},{\"t\":\"p\",\"text\":\"Since 1994, Ono has produced more than 1,400 drawings in this format, following a meditative method that brings together control and surrender, logic and spontaneity.\"},{\"t\":\"quote\",\"text\":\"<em>\u201cIt was as though a part of my brain which was closed up all this time suddenly opened and streams of images came out.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"Her drawings invite us to pause; to consider how the smallest things can contain the infinite within them.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Yoko Ono\u2019nun Franklin, New York\u2019taki \u00e7iftli\u011finde bir yaz hayal edin: a\u011fa\u00e7lar, yabani \u00e7i\u00e7ekler, bir g\u00f6lette kurba\u011falar.\"},{\"t\":\"p\",\"text\":\"O sessizlikten ve o \u0131\u015f\u0131ktan, bir k\u00e2\u011f\u0131t \u00fczerinde tek bir nokta do\u011far. O noktadan di\u011ferleri \u00e7\u0131kar; toplan\u0131rlar, da\u011f\u0131l\u0131rlar ve yava\u015f yava\u015f y\u00fczen, titre\u015fen, nefes alan fig\u00fcrler belirir. <em>Franklin Yaz\u0131<\/em> b\u00f6yle ortaya \u00e7\u0131km\u0131\u015ft\u0131r; Yoko Ono\u2019nun, elini kendi hayal g\u00fcc\u00fcn\u00fcn ak\u0131\u015f\u0131na b\u0131rakarak \u00fcretti\u011fi bir g\u00f6r\u00fcnt\u00fc silsilesidir.\"},{\"t\":\"p\",\"text\":\"Geometrik ve organik \u00e7izgiler, do\u011fay\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran k\u00fc\u00e7\u00fck tak\u0131my\u0131ld\u0131zlarda bir araya gelir: molek\u00fcller, su ak\u0131nt\u0131lar\u0131, u\u00e7an ku\u015flar, embriyo benzeri bi\u00e7imler, galaksiler aras\u0131 girdaplar.\"},{\"t\":\"p\",\"text\":\"Kalemin her izi bir m\u0131r\u0131lt\u0131d\u0131r; noktalar\u0131n her birikimi bir kalp at\u0131\u015f\u0131: \u00e7izim, mikroskobik olanla kozmik olan, elle tutulur olanla u\u00e7ucu olan aras\u0131nda sal\u0131nan bir peyzaja d\u00f6n\u00fc\u015f\u00fcr.\"},{\"t\":\"p\",\"text\":\"Ono 1994\u2019ten bu yana bu formatta 1400\u2019\u00fcn \u00fczerinde \u00e7izim \u00fcretti; denetim ile kendini b\u0131rakmay\u0131, mant\u0131k ile kendili\u011findenli\u011fi birle\u015ftiren meditatif bir y\u00f6ntem uygulad\u0131.\"},{\"t\":\"quote\",\"text\":\"\u201c<em>Sanki beynimin bunca zamand\u0131r kapal\u0131 olan bir k\u0131sm\u0131 aniden a\u00e7\u0131lm\u0131\u015f, g\u00f6r\u00fcnt\u00fcler akmaya ba\u015flam\u0131\u015ft\u0131.<\/em>\u201d\"},{\"t\":\"p\",\"text\":\"\u00c7izimleri, durmaya; en k\u00fc\u00e7\u00fck \u015feylerin kendi i\u00e7inde sonsuzu nas\u0131l bar\u0131nd\u0131rabildi\u011fini d\u00fc\u015f\u00fcnmeye \u00e7a\u011f\u0131r\u0131r.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-10V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/10v2.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/10-franklin-DSC00683-@canberkulusan.jpg\",\"imageCredit\":{\"en\":\"FRANKLIN SUMMER in Yoko Ono: Insound and Instructure, SSM. Photograph: Flashbang Productions.\",\"tr\":\"FRANKLIN YAZI, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Flashbang Productions.\"},\"label\":{\"en\":\"\u201cLast summer, I was asked to do some drawings. I wasn\u2019t quite sure if I wanted to do them. Up to then I had not done a work which was purely visual. But, I always love a challenge. At my farm, surrounded by trees and wild flowers, and listening to the frogs in the pond, I started drawing with dots, adopting the method of automatic writing. In automatic writing, however, the very nature of words and their logical connections quite often inhibited me from being automatic. With dots it was easier. The dots accumulated into a mass, and figures emerged from them. It was as though a part of my brain which was closed up all this time suddenly opened and streams of images came out. I tried not to interfere with its process, but the logical mind frequently came into play to control the direction of the dots. It was very much like what one goes through in meditation, where one fights to keep one\u2019s mind empty from thoughts in order to go into a deeper state of trance. These drawings therefore, are like the skyline created by the struggles of my logical mind and the automatic direction.\u201d \u2014 y.o. \u201995\",\"tr\":\"\u201cGe\u00e7en yaz, benden baz\u0131 \u00e7izimler yapmam istendi. Bunlar\u0131 yapmak isteyip istemedi\u011fimden tam emin de\u011fildim. O zamana kadar t\u00fcm\u00fcyle g\u00f6rsel bir \u00e7al\u0131\u015fma yapmam\u0131\u015ft\u0131m. Ama zorluklar\u0131 hep sevmi\u015fimdir. A\u011fa\u00e7lar ve yabani \u00e7i\u00e7eklerle \u00e7evrili \u00e7iftli\u011fimde ve g\u00f6letteki kurba\u011falar\u0131 dinlerken, otomatik yaz\u0131 y\u00f6ntemini benimseyerek noktalarla \u00e7izim yapmaya ba\u015flad\u0131m. Ancak otomatik yaz\u0131da, s\u00f6zc\u00fcklerin do\u011fas\u0131 ve mant\u0131ksal ba\u011flant\u0131lar\u0131 beni \u00e7o\u011fu zaman otomatik olmaktan al\u0131koyuyordu. Noktalarla \u00e7izmek daha kolayd\u0131. Noktalar bir k\u00fctle halinde birikti ve onlardan fig\u00fcrler ortaya \u00e7\u0131kt\u0131. Sanki beynimin bunca zamand\u0131r kapal\u0131 olan bir k\u0131sm\u0131 aniden a\u00e7\u0131lm\u0131\u015f, g\u00f6r\u00fcnt\u00fcler akmaya ba\u015flam\u0131\u015ft\u0131. S\u00fcrece m\u00fcdahale etmemeye \u00e7al\u0131\u015ft\u0131m, ancak ak\u0131lc\u0131 zihin s\u0131k s\u0131k noktalar\u0131n y\u00f6n\u00fcn\u00fc kontrol etmek i\u00e7in devreye girdi. Bu, meditasyonda ya\u015fananlara \u00e7ok benziyordu; daha derin bir trans haline girmek \u00fczere zihni d\u00fc\u015f\u00fcncelerden ar\u0131nd\u0131rmaya \u00e7al\u0131\u015fmak gibiydi. Bu nedenle bu \u00e7izimler, ak\u0131lc\u0131 zihnim ile otomatik ak\u0131\u015f aras\u0131ndaki m\u00fccadele taraf\u0131ndan yarat\u0131lan ufuk \u00e7izgisi gibi.\u201d \u2014 y.o. \u201995\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"grapefruit\",\"kind\":\"work\",\"num\":\"11\",\"title\":{\"en\":\"GRAPEFRUIT\",\"tr\":\"GREYFURT\"},\"caption\":{\"en\":\"1964\\nArtist's book (first edition), self-published under\\nWunternaum Press, Tokyo, 360 pages\",\"tr\":\"1964\\nSanat\u00e7\u0131 kitab\u0131 (ilk bask\u0131), sanat\u00e7\u0131n\u0131n kendi yay\u0131n\u0131\\nWunternaum Press, Tokyo, 360 sayfa\"},\"durationSec\":90,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Come closer. What you see here is <em>Grapefruit<\/em>: a small, square-shaped book. This is its first edition, published in Tokyo in 1964.\"},{\"t\":\"p\",\"text\":\"Its pages do not contain conventional images or texts, but instructions: an \u201cevent score\u201d for the imagination. These instructions are much more than simple words; they are the central concept at the very heart of Yoko Ono\u2019s work.\"},{\"t\":\"p\",\"text\":\"Here you can see all the instruction pieces included in <em>Grapefruit<\/em>: more than 200 pieces spread across 360 pages, shaping one of the most influential works of conceptual art.\"},{\"t\":\"p\",\"text\":\"These are propositions that activate the viewer\u2019s mind: sentences in the form of ideas, actions that do not necessarily need to be carried out in order to exist. Ono\u2019s contact with Fluxus shaped her understanding of art, in which the artwork is not limited to an object. It is completed by the person who reads it.\"},{\"t\":\"p\",\"text\":\"Some of the pieces invite us to pause and feel:\"},{\"t\":\"score\",\"text\":\"<em>Light a match and watch til it goes out.<br \/>Watch the sun until it becomes square.<br \/>Ignite a river of tomorrows.<\/em>\"},{\"t\":\"p\",\"text\":\"As you can see, each sentence is a gesture. What matters is not performing the action, but allowing your imagination to make it possible.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Yakla\u015f\u0131n. Burada g\u00f6rd\u00fc\u011f\u00fcn\u00fcz yap\u0131t <em>Greyfurt<\/em>. K\u00fc\u00e7\u00fck, kare bi\u00e7imli bir kitap. Bu, onun 1964\u2019te Tokyo\u2019da yay\u0131mlanan ilk bask\u0131s\u0131.\"},{\"t\":\"p\",\"text\":\"Sayfalar\u0131nda geleneksel imgeler ya da metinler de\u011fil, talimatlar yer al\u0131yor: hayal g\u00fcc\u00fc i\u00e7in bir \u201cetkinlik partisyonu.\u201d Bu talimatlar basit s\u00f6zc\u00fcklerden \u00e7ok daha fazlas\u0131d\u0131r; Yoko Ono\u2019nun yap\u0131t\u0131n\u0131n tam merkezinde yer alan temel kavramd\u0131r.\"},{\"t\":\"p\",\"text\":\"Burada <em>Greyfurt<\/em>\u2019ta yer alan t\u00fcm talimat par\u00e7alar\u0131n\u0131 g\u00f6rebilirsiniz: kavramsal sanat\u0131n en etkili yap\u0131tlar\u0131ndan birini bi\u00e7imlendiren 360 sayfaya yay\u0131lm\u0131\u015f 200\u2019\u00fcn \u00fczerinde par\u00e7a.\"},{\"t\":\"p\",\"text\":\"Bunlar izleyicinin zihnini harekete ge\u00e7iren \u00f6nerilerdir: fikir halinde c\u00fcmleler, var olmas\u0131 i\u00e7in bizzat ger\u00e7ekle\u015ftirilmesi gerekmeyen eylemler. Ono\u2019nun Fluxus hareketiyle kurdu\u011fu temas, onun sanat anlay\u0131\u015f\u0131na y\u00f6n verdi ve bu anlay\u0131\u015fta sanat yap\u0131t\u0131 bir nesneyle s\u0131n\u0131rl\u0131 de\u011fildi. Onu okuyan ki\u015fi taraf\u0131ndan tamamlan\u0131yordu.\"},{\"t\":\"p\",\"text\":\"Par\u00e7alardan baz\u0131lar\u0131 durmaya ve hissetmeye davet ediyor.\"},{\"t\":\"score\",\"text\":\"<em>Bir kibrit yak ve s\u00f6nene dek izle.<br \/>G\u00fcne\u015fi kare olana dek izle.<br \/>Yar\u0131nlardan bir nehir ate\u015fle.<\/em>\"},{\"t\":\"p\",\"text\":\"G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi her c\u00fcmle bir jesttir. \u00d6nemli olan eylemi ger\u00e7ekle\u015ftirmek de\u011fil; hayal g\u00fcc\u00fcn\u00fcz\u00fcn onu m\u00fcmk\u00fcn k\u0131lmas\u0131na izin vermektir.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-11V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/11.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/11-grapefruit-screenshot.jpg\",\"imageCredit\":{\"en\":\"GRAPEFRUIT in Yoko Ono: Insound and Instructure, SSM. Image: Flashbang Productions.\",\"tr\":\"GREYFURT, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. G\u00f6r\u00fcnt\u00fc: Flashbang Productions.\"},\"label\":{\"en\":\"Published by Yoko Ono in 1964, GRAPEFRUIT brings together more than 200 instruction works conceived between 1953 and 1964 and organized into sections for MUSIC, PAINTING, EVENTS, POETRY, and OBJECTS. Issued in an edition of 500 copies through her own imprint Wunternaum Press, GRAPEFRUIT is both a foundational work of conceptual art and a cornerstone of Ono's artistic practice. Many of the ideas, methods, and works that would define her career first appeared in its pages. In 1970, Ono released an expanded edition featuring an introduction by John Lennon.\",\"tr\":\"Yoko Ono'nun 1964'te yay\u0131mlad\u0131\u011f\u0131 GREYFURT, 1953 ve 1964 y\u0131llar\u0131 aras\u0131nda tasarlanan ve M\u00dcZ\u0130K, RES\u0130M, ETK\u0130NL\u0130KLER, \u015e\u0130\u0130R ve NESNELER b\u00f6l\u00fcmlerine ayr\u0131lm\u0131\u015f 200'den fazla talimat par\u00e7as\u0131n\u0131 bir araya getirir. Kendi yay\u0131nevi Wunternaum Press'ten 500 kopya olarak bas\u0131lan kitap, kavramsal sanat\u0131n temel bir yap\u0131t\u0131 olmas\u0131n\u0131n yan\u0131 s\u0131ra Ono'nun sanatsal prati\u011finin k\u00f6\u015fe ta\u015f\u0131d\u0131r. Sanatsal yakla\u015f\u0131m\u0131n\u0131 tan\u0131mlayan bir\u00e7ok fikir, y\u00f6ntem ve yap\u0131t, ilk olarak bu sayfalarda ortaya \u00e7\u0131km\u0131\u015ft\u0131r. 1970'te John Lennon'\u0131n \u00f6ns\u00f6z\u00fcn\u00fc i\u00e7eren geni\u015fletilmi\u015f bir bask\u0131s\u0131 da bulunmaktad\u0131r.\"},\"credit\":{\"en\":\"Collection of the artist. Courtesy Yoko Ono.\",\"tr\":\"Sanat\u00e7\u0131n\u0131n koleksiyonu. Yoko Ono'nun izniyle.\"},\"gallery\":[{\"src\":\"assets\/grapefruit\/g03.jpg\",\"title\":{\"en\":\"Secret Piece\",\"tr\":\"Gizli Par\u00e7a\"},\"text\":{\"en\":\"Decide on one note that you want to play.\\nPlay it with the following accompaniment:\\n\\nThe woods from 5 a.m. to 8 a.m.\\nin summer.\\n\\n(The above is the later revision of the following original.)\\n\\n[handwritten: with the accompaniment of the birds singing at dawn]\",\"tr\":\"\u00c7almak istedi\u011fin notay\u0131 se\u00e7.\\nOna \u015fu e\u015flik etsin:\\n\\nYaz sabah\u0131, 5'ten 8'e kadar\\norman.\\n\\n(Yukar\u0131daki, a\u015fa\u011f\u0131daki \u00f6zg\u00fcn kopyan\u0131n d\u00fczenlenmi\u015f halidir.)\\n\\n[El yaz\u0131s\u0131yla not: \u201ctan vakti \u00f6ten ku\u015flar e\u015fli\u011finde\u201d]\"},\"date\":{\"en\":\"1953 summer\",\"tr\":\"1953 yaz\u0131\"}},{\"src\":\"assets\/grapefruit\/g06.jpg\",\"title\":{\"en\":\"Painting to Be Stepped On\",\"tr\":\"\u00dczerine Bas\u0131lacak Resim\"},\"text\":{\"en\":\"Leave a piece of canvas or finished painting on the floor or in the street.\",\"tr\":\"Bir tuval par\u00e7as\u0131n\u0131 ya da bitmi\u015f bir resmi yerde ya da sokakta b\u0131rak.\"},\"date\":{\"en\":\"1960 winter\",\"tr\":\"1960 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g04.jpg\",\"title\":{\"en\":\"Kitchen Piece\",\"tr\":\"Mutfak Par\u00e7as\u0131\"},\"text\":{\"en\":\"Hang a canvas on a wall.\\nThrow all the leftovers you have in the kitchen that day on the canvas.\\nYou may prepare special food for the piece.\",\"tr\":\"Bir tuvali duvara as.\\nO g\u00fcn mutfaktan kalan ne varsa \u00fcst\u00fcne at.\\n\u0130stersen bu par\u00e7a i\u00e7in \u00f6zel bir yemek de haz\u0131rlayabilirsin.\"},\"date\":{\"en\":\"1960 winter\",\"tr\":\"1960 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g05.jpg\",\"title\":{\"en\":\"Painting to Shake Hands (Painting for Cowards)\",\"tr\":\"Tokala\u015fmak \u0130\u00e7in Resim (korkaklar i\u00e7in)\"},\"text\":{\"en\":\"Drill a hole in a canvas and put your hand out from behind.\\nReceive your guests in that position.\\nShake hands and converse with hands.\",\"tr\":\"Bir tuvali del ve elini onun arkas\u0131ndan \u00e7\u0131kar.\\nMisafirlerini bu halde kar\u015f\u0131la.\\nEllerle tokala\u015f, ellerle konu\u015f.\"},\"date\":{\"en\":\"1961 autumn\",\"tr\":\"1961 sonbahar\u0131\"}},{\"src\":\"assets\/grapefruit\/g07.jpg\",\"title\":{\"en\":\"Cough Piece\",\"tr\":\"\u00d6ks\u00fcr\u00fck Par\u00e7as\u0131\"},\"text\":{\"en\":\"Keep coughing a year.\",\"tr\":\"Bir y\u0131l boyunca \u00f6ks\u00fcr.\"},\"date\":{\"en\":\"1961 winter\",\"tr\":\"1961 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g08.jpg\",\"title\":{\"en\":\"Chewing Gum Machine Piece\",\"tr\":\"Sak\u0131z Makinesi Par\u00e7as\u0131\"},\"text\":{\"en\":\"Place Chewing Gum Machines with many different word cards in them next to Coca-cola Machines on every street corner.\\nMake it so that a word card comes out when you put one cent in.\\n\\nPut more auxiliary words than nouns.\\nMore verbs than adjectives.\",\"tr\":\"\u0130\u00e7i \u00e7e\u015fitli s\u00f6zc\u00fck kartlar\u0131yla dolu sak\u0131z makinelerini, her k\u00f6\u015fe ba\u015f\u0131ndaki Coca-Cola makinelerinin yan\u0131na koy.\\n\u0130\u00e7lerine bir sent at\u0131ld\u0131\u011f\u0131nda bir s\u00f6zc\u00fck kart\u0131 gelsin.\\n\\n\u0130simlerden \u00e7ok yard\u0131mc\u0131 s\u00f6zc\u00fckler koy.\\nS\u0131fatlardan \u00e7ok fiiller koy.\"},\"date\":{\"en\":\"1961 winter\",\"tr\":\"1961 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g12.jpg\",\"title\":{\"en\":\"Painting to Hammer a Nail\",\"tr\":\"\u00c7ivi \u00c7akmak \u0130\u00e7in Resim\"},\"text\":{\"en\":\"Hammer a nail in the center of a piece of glass. Send each fragment to an arbitrary address.\",\"tr\":\"Bir cam par\u00e7as\u0131n\u0131n ortas\u0131na bir \u00e7ivi \u00e7ak.\\nHer bir k\u0131r\u0131\u011f\u0131 rastgele bir adrese yolla.\"},\"date\":{\"en\":\"1962 spring\",\"tr\":\"1962 ilkbahar\u0131\"}},{\"src\":\"assets\/grapefruit\/g09.jpg\",\"title\":{\"en\":\"Cloud Piece\",\"tr\":\"Bulut Par\u00e7as\u0131\"},\"text\":{\"en\":\"Imagine the clouds dripping.\\nDig a hole in your garden to put them in.\",\"tr\":\"Bulutlar \u015f\u0131p \u015f\u0131p daml\u0131yor diye d\u00fc\u015f\u00fcn.\\nBah\u00e7ende bir oyuk a\u00e7 onlara.\"},\"date\":{\"en\":\"1963 spring\",\"tr\":\"1963 ilkbahar\u0131\"}},{\"src\":\"assets\/grapefruit\/g10.jpg\",\"title\":{\"en\":\"Conversation Piece\",\"tr\":\"Konu\u015fma Par\u00e7as\u0131\"},\"text\":{\"en\":\"Talk about the death of an imaginary person.\\nIf somebody is interested, bring out a black framed photograph of the deceased and show.\\nIf friends invite you, excuse yourself by explaining about the death of the person.\",\"tr\":\"Hayal\u00ee bir ki\u015finin \u00f6l\u00fcm\u00fc hakk\u0131nda konu\u015f.\\n\u0130lgilenen olursa, merhumun siyah \u00e7er\u00e7eveli bir foto\u011fraf\u0131n\u0131 \u00e7\u0131kar ve g\u00f6ster.\\nArkada\u015flar\u0131n seni davet etti\u011finde, ki\u015finin vefat\u0131n\u0131 gerek\u00e7e g\u00f6stererek seni mazur g\u00f6rmelerini iste.\"},\"date\":{\"en\":\"1963 summer\",\"tr\":\"1963 yaz\u0131\"}},{\"src\":\"assets\/grapefruit\/g11.jpg\",\"title\":{\"en\":\"Fly Piece\",\"tr\":\"U\u00e7ma Par\u00e7as\u0131\"},\"text\":{\"en\":\"Fly.\",\"tr\":\"U\u00e7.\"},\"date\":{\"en\":\"1963 summer\",\"tr\":\"1963 yaz\u0131\"}},{\"src\":\"assets\/grapefruit\/g13.jpg\",\"title\":{\"en\":\"Light Piece\",\"tr\":\"I\u015f\u0131k Par\u00e7as\u0131\"},\"text\":{\"en\":\"Carry an empty bag.\\nGo to the top of the hill.\\nPour all the light you can in it.\\nGo home when it is dark.\\nHang the bag in the middle of your room in place of a light bulb.\",\"tr\":\"Bo\u015f bir \u00e7anta ta\u015f\u0131. Tepenin zirvesine \u00e7\u0131k.\\nAlabildi\u011fi kadar \u0131\u015f\u0131\u011f\u0131 \u00e7antaya doldur.\\nOrtal\u0131k karar\u0131nca eve d\u00f6n.\\n\u00c7antay\u0131 odan\u0131n ortas\u0131na, bir ampul\u00fcn yerine as.\"},\"date\":{\"en\":\"1963 autumn\",\"tr\":\"1963 sonbahar\u0131\"}},{\"src\":\"assets\/grapefruit\/g14.jpg\",\"title\":{\"en\":\"Touch Poem for Group of People\",\"tr\":\"Bir Topluluk \u0130\u00e7in Dokunma \u015eiiri\"},\"text\":{\"en\":\"Touch eachother.\",\"tr\":\"Birbirinize dokunun.\"},\"date\":{\"en\":\"1963 winter\",\"tr\":\"1963 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g15.jpg\",\"title\":{\"en\":\"Pulse Piece\",\"tr\":\"Nab\u0131z Par\u00e7as\u0131\"},\"text\":{\"en\":\"Listen to eachother's pulse by putting your ear on the other's stomach.\",\"tr\":\"Kula\u011f\u0131n\u0131z\u0131 birbirinizin karn\u0131na yaslay\u0131p nabz\u0131n\u0131z\u0131 dinleyin.\"},\"date\":{\"en\":\"1963 winter\",\"tr\":\"1963 k\u0131\u015f\u0131\"}},{\"src\":\"assets\/grapefruit\/g16.jpg\",\"title\":{\"en\":\"Collecting Piece II & III\",\"tr\":\"Toplama Par\u00e7as\u0131 II & III\"},\"text\":{\"en\":\"COLLECTING PIECE II\\nBreak a contemporary museum into pieces with the means you have chosen. Collect the pieces and put them together again with glue.\\n\\nCOLLECTING PIECE III\\nBreak your mirror and scatter the pieces over different countries. Travel and collect the pieces and glue them together again.\\nYou may use a letter or a diary instead of a mirror.\\nYou may break a doll or an airplane a thousand feet high in the sky over a desert.\",\"tr\":\"TOPLAMA PAR\u00c7ASI II\\nBir \u00e7a\u011fda\u015f sanat m\u00fczesini, kendi se\u00e7ti\u011fin y\u00f6nteme g\u00f6re par\u00e7ala. Par\u00e7alar\u0131 topla ve tutkalla yeniden bir araya getir.\\n\\nTOPLAMA PAR\u00c7ASI III\\nAynan\u0131 k\u0131r, par\u00e7alar\u0131n\u0131 farkl\u0131 \u00fclkelere sa\u00e7. Yola \u00e7\u0131k; par\u00e7alar\u0131 topla, tutkalla yeniden bir araya getir.\\nAyna yerine bir mektup ya da bir g\u00fcnl\u00fck kullanabilirsin.\\nBir oyuncak bebe\u011fi ya da bir u\u00e7a\u011f\u0131, \u00e7\u00f6l\u00fcn \u00fcst\u00fcnde, g\u00f6ky\u00fcz\u00fcnde, bin fit y\u00fcksekte de k\u0131rabilirsin.\"},\"date\":{\"en\":\"1963 autumn\",\"tr\":\"1963 sonbahar\u0131\"}}],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"Instruction works\",\"tr\":\"Talimat par\u00e7alar\u0131\"}},{\"key\":\"riverbed\",\"kind\":\"work\",\"num\":\"12\",\"title\":{\"en\":\"MORNING BEAMS & RIVERBED\",\"tr\":\"SABAH I\u015eINLARI & NEH\u0130R YATA\u011eI\"},\"caption\":{\"en\":\"1997\\nInstallation, nylon ropes, wood, metal, and river rocks\",\"tr\":\"1997\\nEnstalasyon, naylon ip, ah\u015fap, metal ve nehir ta\u015flar\u0131\"},\"durationSec\":83,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"As morning enters the space in luminous threads, a river begins to flow at our feet. Thus <em>Morning Beams<\/em> and <em>Riverbed<\/em> accompany one another within the space.\"},{\"t\":\"p\",\"text\":\"When we look up, we see dozens of white ropes descending from the ceiling and spreading outward like sunbeams. Yoko Ono conceived this work, part of the <em>Beams<\/em> series, from an everyday moment in which light entering her kitchen dispersed in unexpected directions.\"},{\"t\":\"p\",\"text\":\"Beneath our feet, a bed of river stones unfolds, as if a natural secret were being revealed inside the museum. There is no water, but there is an imaginary murmur accompanying every step we take, inviting us to experience time as a current.\"},{\"t\":\"p\",\"text\":\"Together, these two pieces create a landscape of opposing and complementary forces: vertical and horizontal, light and earth, light and heavy, tangible and intangible.\"},{\"t\":\"p\",\"text\":\"Look up. Look down. Move calmly through the space.\"},{\"t\":\"p\",\"text\":\"The piece is activated by your presence. You have become part of this fleeting landscape, where light finds its path and time flows step by step.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Sabah mek\u00e2na \u0131\u015f\u0131kl\u0131 ipler halinde girerken, ayaklar\u0131m\u0131z\u0131n dibinde bir nehir akmaya ba\u015fl\u0131yor. B\u00f6ylece <em>Sabah I\u015f\u0131nlar\u0131<\/em> ve <em>Nehir Yata\u011f\u0131<\/em> adl\u0131 iki par\u00e7a, mek\u00e2n i\u00e7inde birbirine e\u015flik ediyor.\"},{\"t\":\"p\",\"text\":\"Ba\u015f\u0131m\u0131z\u0131 kald\u0131rd\u0131\u011f\u0131m\u0131zda, tavandan a\u015fa\u011f\u0131 s\u00fcz\u00fclen ve g\u00fcne\u015f \u0131\u015f\u0131nlar\u0131 gibi d\u0131\u015far\u0131 do\u011fru yay\u0131lan onlarca beyaz ip g\u00f6r\u00fcyoruz. Yoko Ono bu yap\u0131t\u0131, mutfa\u011f\u0131na dolan \u0131\u015f\u0131\u011f\u0131n hi\u00e7 umulmad\u0131k y\u00f6nlere da\u011f\u0131ld\u0131\u011f\u0131 g\u00fcndelik bir andan ilhamla, <em>I\u015f\u0131nlar<\/em> serisinin bir par\u00e7as\u0131 olarak tasarlad\u0131.\"},{\"t\":\"p\",\"text\":\"Ayaklar\u0131m\u0131z\u0131n alt\u0131nda, nehir ta\u015flar\u0131ndan bir yatak seriliyor; sanki m\u00fczenin i\u00e7inde do\u011faya ait bir giz a\u00e7\u0131\u011fa \u00e7\u0131k\u0131yor. Su yok; ama att\u0131\u011f\u0131m\u0131z her ad\u0131ma e\u015flik eden hayal\u00ee bir \u015f\u0131r\u0131lt\u0131 var ve bizi zaman\u0131 bir ak\u0131nt\u0131 gibi deneyimlemeye davet ediyor.\"},{\"t\":\"p\",\"text\":\"Bu iki par\u00e7a, kar\u015f\u0131t ve birbirini tamamlayan kuvvetlerden olu\u015fan bir peyzaj kuruyor: dikey ve yatay, \u0131\u015f\u0131k ve toprak, hafif ve a\u011f\u0131r, elle tutulur ve ele gelmez.\"},{\"t\":\"p\",\"text\":\"Yukar\u0131 bak\u0131n. A\u015fa\u011f\u0131 bak\u0131n. Mek\u00e2nda sakince ilerleyin.\"},{\"t\":\"p\",\"text\":\"Par\u00e7a sizin varl\u0131\u011f\u0131n\u0131zla etkinle\u015fiyor. I\u015f\u0131\u011f\u0131n yolunu buldu\u011fu ve zaman\u0131n ad\u0131m ad\u0131m akt\u0131\u011f\u0131 bu u\u00e7up giden peyzaj\u0131n bir par\u00e7as\u0131 oldunuz.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-12V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/12.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/12-morning-DSC00213-@canberkulusan.jpg\",\"imageCredit\":{\"en\":\"MORNING BEAMS and RIVERBED in Yoko Ono: Insound and Instructure, SSM. Photograph: Flashbang Productions.\",\"tr\":\"SABAH I\u015eINLARI ve NEH\u0130R YATA\u011eI, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Flashbang Productions.\"},\"label\":{\"en\":\"\u201cThis is part of my series BEAMS. One day, I went into my kitchen in the morning and found that the room was filled with all sorts of light beams emanating from various objects. There were some wiggly beams, zigzag beams, curved beams. It was amazing. Since then, I keep visualizing light beams emanating from inanimate objects.\u201d\\ny.o. \u201997\",\"tr\":\"\u201cBu, I\u015eINLAR serimin bir par\u00e7as\u0131. Bir g\u00fcn sabah saatlerinde mutfa\u011f\u0131ma girdi\u011fimde, odan\u0131n i\u00e7inde \u00e7e\u015fitli nesnelerden yay\u0131lan \u00e7ok \u00e7e\u015fitli \u0131\u015f\u0131k h\u00fczmeleriyle kar\u015f\u0131la\u015ft\u0131m. Dalgal\u0131 \u0131\u015f\u0131nlar, zikzakl\u0131 \u0131\u015f\u0131nlar, kavisli \u0131\u015f\u0131nlar vard\u0131. \u0130nan\u0131lmazd\u0131. O zamandan beri, cans\u0131z nesnelerden yay\u0131lan \u0131\u015f\u0131nlar\u0131 hayal etmeye devam ediyorum.\u201d\\n\\ny.o. \u201997\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"concert-9\",\"kind\":\"work\",\"num\":\"13\",\"title\":{\"en\":\"9 CONCERT PIECES FOR JOHN CAGE\",\"tr\":\"JOHN CAGE \u0130\u00c7\u0130N 9 KONSER PAR\u00c7ASI\"},\"caption\":{\"en\":\"1966\\n15 prints\",\"tr\":\"1966\\n15 bask\u0131\"},\"durationSec\":91,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"If this work is called <em>9 Concert Pieces for John Cage<\/em>, why are there 13 instructions here?\"},{\"t\":\"p\",\"text\":\"The answer can be found in a letter. In this letter to her friend and mentor John Cage, Yoko Ono explains that many of her pieces spread by word of mouth and can exist only when performed by someone.\"},{\"t\":\"p\",\"text\":\"She also tells him that her works invite participation not through physical action, but through thought. And she makes a request:\"},{\"t\":\"quote\",\"text\":\"<em>\u201cThere are 13 pieces here. Please select the 9 you like.\u201d<\/em>\"},{\"t\":\"p\",\"text\":\"She says that nine is a spiritual number, a symbol of things left incomplete. For this reason, every action becomes a rehearsal, a piece that is never fully completed.\"},{\"t\":\"p\",\"text\":\"These brief instructions \u2014<em>sweep, cut, breathe, touch, whisper<\/em>\u2014 are minimalist scores that awaken the imagination. They do not seek a perfect performance; rather, they propose a shared experience that makes us more aware of our own existence.\"},{\"t\":\"p\",\"text\":\"Today, standing before these pieces, that invitation still holds:\"},{\"t\":\"score\",\"text\":\"Choose the nine pieces you like best.<br \/>Think, listen, imagine.\"},{\"t\":\"p\",\"text\":\"Perhaps, like Yoko Ono and John Cage, you too will discover that art, like life, is an ongoing process.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Bu yap\u0131t\u0131n ad\u0131 <em>John Cage i\u00e7in 9 Konser Par\u00e7as\u0131<\/em> ise, burada neden 13 talimat var?\"},{\"t\":\"p\",\"text\":\"Yan\u0131t bir mektupta bulunabilir. Yoko Ono, dostu ve ment\u00f6r\u00fc John Cage\u2019e yazd\u0131\u011f\u0131 bu mektupta, par\u00e7alar\u0131n\u0131n \u00e7o\u011funun kulaktan kula\u011fa yay\u0131ld\u0131\u011f\u0131n\u0131 ve ancak biri taraf\u0131ndan ger\u00e7ekle\u015ftirildi\u011finde var olabildi\u011fini anlat\u0131r.\"},{\"t\":\"p\",\"text\":\"Ona ayr\u0131ca yap\u0131tlar\u0131n\u0131n fiziksel eylem yoluyla de\u011fil, d\u00fc\u015f\u00fcnce yoluyla kat\u0131l\u0131ma davet etti\u011fini s\u00f6yler. Ve bir ricada bulunur:\"},{\"t\":\"quote\",\"text\":\"\u201c<em>Burada 13 par\u00e7a var. L\u00fctfen i\u00e7lerinden sevdi\u011fin 9 par\u00e7ay\u0131 se\u00e7.<\/em>\u201d\"},{\"t\":\"p\",\"text\":\"Dokuzun ruhani bir say\u0131, tamamlanmam\u0131\u015f \u015feylerin simgesi oldu\u011funu s\u00f6yler. Bu nedenle her eylem bir provaya, hi\u00e7bir zaman b\u00fct\u00fcn\u00fcyle tamamlanmayan bir par\u00e7aya d\u00f6n\u00fc\u015f\u00fcr.\"},{\"t\":\"p\",\"text\":\"Bu k\u0131sa talimatlar \u2014<em>s\u00fcp\u00fcr, kes, nefes al, dokun, f\u0131s\u0131lda<\/em>\u2014 hayal g\u00fcc\u00fcn\u00fc uyand\u0131ran minimalist partisyonlard\u0131r. Kusursuz bir performans\u0131n pe\u015finde de\u011fildir; daha \u00e7ok, bizi kendi varl\u0131\u011f\u0131m\u0131z\u0131n daha fazla fark\u0131na vard\u0131ran ortak bir deneyim \u00f6nerir.\"},{\"t\":\"p\",\"text\":\"Bug\u00fcn bu par\u00e7alar\u0131n kar\u015f\u0131s\u0131nda dururken o davet h\u00e2l\u00e2 ge\u00e7erlidir:\"},{\"t\":\"score\",\"text\":\"En sevdi\u011finiz dokuz par\u00e7ay\u0131 se\u00e7in.<br \/>D\u00fc\u015f\u00fcn\u00fcn, dinleyin, d\u00fc\u015fleyin.\"},{\"t\":\"p\",\"text\":\"Belki siz de Yoko Ono ve John Cage gibi sanat\u0131n, t\u0131pk\u0131 hayat gibi, s\u00fcregiden bir s\u00fcre\u00e7 oldu\u011funu ke\u015ffedersiniz.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-13V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/13.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/2_JohnCoverPage.jpg\",\"imageCredit\":{\"en\":\"9 CONCERT PIECES FOR JOHN CAGE (1966). Courtesy of Charles Deering McCormick Library of Special Collections, Northwestern University Libraries. \u00a9 Yoko Ono\",\"tr\":\"JOHN CAGE \u0130\u00c7\u0130N 9 KONSER PAR\u00c7ASI (1966). Charles Deering McCormick Library of Special Collections and University Archives, Northwestern University Libraries izniyle. \u00a9 Yoko Ono\"},\"label\":{\"en\":\"Contributed to John Cage\u2019s influential publication Notations, 9 CONCERT PIECES FOR JOHN CAGE presents a selection of scores for some of Yoko Ono\u2019s earliest and most significant performances. By translating ephemeral actions into written form, Ono preserves them not as records of past events but as invitations for future realization. The scores establish a framework through which the works can be performed anew, extending their life beyond any single moment or performer.\",\"tr\":\"John Cage\u2019in etkili kitab\u0131 Notasyonlar\u2019\u0131n i\u00e7inde yay\u0131mlanan JOHN CAGE \u0130\u00c7\u0130N 9 KONSER PAR\u00c7ASI, Yoko Ono\u2019nun en erken ve \u00f6nemli performanslar\u0131ndan baz\u0131lar\u0131n\u0131n partisyonlar\u0131ndan olu\u015fur. Ono burada ge\u00e7ici eylemleri yaz\u0131l\u0131 forma d\u00f6n\u00fc\u015ft\u00fcrerek, onlar\u0131 ge\u00e7mi\u015f olaylar\u0131n kay\u0131tlar\u0131 olarak de\u011fil, gelecekte ger\u00e7ekle\u015febilecek davetlere d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Bu partisyonlar, yap\u0131tlar\u0131n tek bir performans an\u0131na ya da tek bir icrac\u0131ya ba\u011fl\u0131 kalmadan yeniden ger\u00e7ekle\u015ftirilebilmesini sa\u011flayan bir \u00e7er\u00e7eve sunar.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"doors\",\"kind\":\"work\",\"num\":\"14\",\"title\":{\"en\":\"DOORS\",\"tr\":\"KAPILAR\"},\"caption\":{\"en\":\"2011\\nInstallation, 9 antique wooden doors with artist\u2019s handwritten inscriptions\",\"tr\":\"2011\\nEnstalasyon, \u00fczerinde sanat\u00e7\u0131n\u0131n el yaz\u0131lar\u0131n\u0131n bulundu\u011fu 9 eski ah\u015fap kap\u0131\"},\"durationSec\":79,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"<em>Doors<\/em> is an installation composed of nine antique wooden doors. As you can see, some of the doors stand upright. Others, such as the door lying on the floor, seem to have given up resisting.\"},{\"t\":\"p\",\"text\":\"Torn from their walls, the white surfaces of these doors bear the traces of time; and, in the artist\u2019s handwriting, they also contain fragments of thought that invite us to imagine countless stories.\"},{\"t\":\"p\",\"text\":\"Without walls to support them, these doors become thresholds that lead nowhere, along a route that both opens the way and blocks passage. What remains of a home becomes a possibility: ruins that invite us to move forward rather than remain closed.\"},{\"t\":\"p\",\"text\":\"This installation is shown together with <em>Sky Puddles<\/em>. Consisting of small puddles of water placed near the doors, this second work enters into a poetic dialogue with the first, strengthening the connection between memory, time and contemplation.\"},{\"t\":\"p\",\"text\":\"Here, Yoko Ono invites us to reflect on the paths we follow throughout life. Some are interrupted, some reopened; yet all are filled with the possibility of transforming loss into a new horizon.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"<em>Kap\u0131lar<\/em>, dokuz antika ah\u015fap kap\u0131dan olu\u015fan bir enstalasyondur. G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi, kap\u0131lar\u0131n bir k\u0131sm\u0131 ayakta durur. Bir k\u0131sm\u0131 ise, mesela yerde yatan kap\u0131 gibi, direnmekten vazge\u00e7mi\u015f haldedir.\"},{\"t\":\"p\",\"text\":\"Duvarlar\u0131ndan s\u00f6k\u00fclm\u00fc\u015f bu kap\u0131lar\u0131n beyaz y\u00fczeyleri zaman\u0131n izlerini ta\u015f\u0131man\u0131n yan\u0131 s\u0131ra; sanat\u00e7\u0131n\u0131n elyaz\u0131s\u0131yla, bizi say\u0131s\u0131z hik\u00e2ye d\u00fc\u015flemeye \u00e7a\u011f\u0131ran d\u00fc\u015f\u00fcnce par\u00e7alar\u0131 da bar\u0131nd\u0131r\u0131yor.\"},{\"t\":\"p\",\"text\":\"Onlar\u0131 ayakta tutacak duvarlar olmadan bu kap\u0131lar, hem yolu a\u00e7an hem de ilerlemeyi kesen bir g\u00fczerg\u00e2hta, hi\u00e7bir yere a\u00e7\u0131lmayan e\u015fikler halini al\u0131yor. Bir evden geriye kalanlar, bir olas\u0131l\u0131\u011fa d\u00f6n\u00fc\u015f\u00fcyor: kapal\u0131 kalmak yerine ilerlemeye davet eden kal\u0131nt\u0131lar oluyor.\"},{\"t\":\"p\",\"text\":\"Bu enstalasyon <em>G\u00f6ky\u00fcz\u00fc Birikintileri<\/em> ile birlikte sergileniyor. Kap\u0131lar\u0131n yak\u0131n\u0131na yerle\u015ftirilen k\u00fc\u00e7\u00fck su birikintilerinden olu\u015fan bu ikinci yap\u0131t, ilkiyle \u015fiirsel bir diyalo\u011fa girerek; bellek, zaman ve tefekk\u00fcr kavramlar\u0131 aras\u0131ndaki ba\u011f\u0131 g\u00fc\u00e7lendiriyor.\"},{\"t\":\"p\",\"text\":\"Burada Yoko Ono, bizi hayat boyunca izledi\u011fimiz yollar \u00fczerine d\u00fc\u015f\u00fcnmeye \u00e7a\u011f\u0131r\u0131yor. Kimi yar\u0131da kalm\u0131\u015f, kimi yeniden aralanm\u0131\u015f; fakat hepsi kayb\u0131 yeni bir ufka d\u00f6n\u00fc\u015ft\u00fcrme ihtimaliyle dopdolu.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-14V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/14.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/14-doors-DSC00226-@canberkulusan.jpg\",\"imageCredit\":{\"en\":\"DOORS in Yoko Ono: Insound and Instructure, SSM. Photograph: Flashbang Productions.\",\"tr\":\"KAPILAR, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Flashbang Productions.\"},\"label\":{\"en\":\"In DOORS, Ono frees doors of their conventional purpose as thresholds, allowing visitors to walk around and among them rather than through them. Here, the walls become invisible. The installation may evoke the choices and obstacles encountered throughout life, inviting viewers to consider which doors to open and which paths to take. Handwritten on the doors are a series of texts by Ono.\",\"tr\":\"Ono\u2019nun KAPILAR adl\u0131 yap\u0131t\u0131, bu nesneyi geleneksel e\u015fik i\u015flevinden kurtar\u0131r, ziyaret\u00e7ilerin kap\u0131lardan ge\u00e7mek yerine onlar\u0131n etraf\u0131nda ve aralar\u0131nda y\u00fcr\u00fcmesine olanak tan\u0131r. Duvarlar g\u00f6r\u00fcnmez olur. Ya\u015fam boyunca kar\u015f\u0131la\u015f\u0131lan se\u00e7imleri ve engelleri \u00e7a\u011fr\u0131\u015ft\u0131rma olas\u0131l\u0131\u011f\u0131yla bu enstalasyon, ziyaret\u00e7ileri hangi kap\u0131lar\u0131 a\u00e7acaklar\u0131 ya da hangi yollar\u0131 y\u00fcr\u00fcyecekleri \u00fczerine d\u00fc\u015f\u00fcnmeye davet eder. Kap\u0131lar\u0131n \u00fczerinde Ono\u2019nun el yaz\u0131s\u0131yla yazd\u0131\u011f\u0131 bir dizi metin yer al\u0131r.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"sky-tv\",\"kind\":\"work\",\"num\":\"15\",\"title\":{\"en\":\"SKY TV\",\"tr\":\"G\u00d6KY\u00dcZ\u00dc TELEV\u0130ZYONU\"},\"caption\":{\"en\":\"1966\\nVideo installation, closed circuit video\",\"tr\":\"1966\\nVideo enstalasyonu, kapal\u0131 devre video\"},\"durationSec\":71,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Pause for a moment in front of the screen.\"},{\"t\":\"p\",\"text\":\"As you can see, there is no broadcast schedule or news here; only a live image of the sky. Just outside the gallery, a camera pointed upward transmits the image to you in real time.\"},{\"t\":\"p\",\"text\":\"In 1966, Yoko Ono used the newest video technology of the period to create <em>Sky TV<\/em>. Beyond the technological achievement, what Ono proposed was another way of seeing: stopping to look at a small piece of blue, at clouds in motion, as if this were the only channel deserving our attention.\"},{\"t\":\"p\",\"text\":\"In her notes from that period, Ono speaks of <em>\u201ca television for watching the sky.\u201d <\/em>With gentle irony, she adds:<em> \\\"different channels for different skies; high sky, low sky, changing skies...\\\"<\/em>\"},{\"t\":\"p\",\"text\":\"Rather than adding another distraction to the countless things that scatter our attention, this is a television that reminds us to watch what is already there. In this sense, the piece transforms the everyday into a poetic act.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Ekran\u0131n kar\u015f\u0131s\u0131nda bir s\u00fcre durun.\"},{\"t\":\"p\",\"text\":\"G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi burada herhangi bir yay\u0131n ak\u0131\u015f\u0131 ya da haber yok; sadece g\u00f6ky\u00fcz\u00fcn\u00fcn canl\u0131 g\u00f6r\u00fcnt\u00fcs\u00fc var. Galerinin hemen d\u0131\u015f\u0131nda, yukar\u0131ya bakan bir kamera, g\u00f6r\u00fcnt\u00fcy\u00fc size ger\u00e7ek zamanl\u0131 olarak aktar\u0131yor.\"},{\"t\":\"p\",\"text\":\"Yoko Ono, 1966\u2019da <em>G\u00f6ky\u00fcz\u00fc Televizyonu<\/em>\u2019nu ortaya koymak i\u00e7in o d\u00f6nemin en yeni video teknolojisinden istifade etti. Teknolojik ba\u015far\u0131lar\u0131n \u00f6tesinde, Ono\u2019nun \u00f6nerdi\u011fi \u015fey ba\u015fka bir g\u00f6rme bi\u00e7imiydi: mavinin k\u00fc\u00e7\u00fck bir par\u00e7as\u0131na, hareket halindeki bulutlara durup bakmakt\u0131; dikkatimizi hak eden tek kanal buymu\u015f gibi.\"},{\"t\":\"p\",\"text\":\"Ono o d\u00f6neme ait notlar\u0131nda \u201cg\u00f6ky\u00fcz\u00fcn\u00fc izlemek i\u00e7in bir televizyon\u201ddan s\u00f6z eder. Hafif bir ironiyle \u015funu ekler: <em>\\\"farkl\u0131 g\u00f6ky\u00fczleri i\u00e7in farkl\u0131 kanallar; y\u00fcksek g\u00f6ky\u00fcz\u00fc, al\u00e7ak g\u00f6ky\u00fcz\u00fc, de\u011fi\u015fen g\u00f6ky\u00fczleri\u2026\\\"<\/em>\"},{\"t\":\"p\",\"text\":\"Dikkatimizi da\u011f\u0131tan say\u0131s\u0131z \u015feye bir yenisini eklemek yerine, orada olan\u0131 izlemeyi bize hat\u0131rlatan bir televizyon. Bu anlamda par\u00e7a, g\u00fcndelik olan\u0131 \u015fiirsel bir eyleme d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-15V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/15.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/SO19JT1_HMSG_20160005_20150814_001.jpg\",\"imageCredit\":{\"en\":\"SKY TV FOR WASHINGTON (1966) in At the Hub of Things: New Views of the Collection, Hirshhorn Museum and Sculpture Garden, Washington DC, 2014. Photograph by Cathy Carver. \u00a9 Yoko Ono\",\"tr\":\"WASHINGTON \u0130\u00c7\u0130N G\u00d6KY\u00dcZ\u00dc TELEV\u0130ZYONU (1966), \u015eeylerin Merkezinde: Koleksiyona Yeni Bak\u0131\u015flar, Hirshhorn Museum and Sculpture Garden, Washington DC, 2014. Foto\u011fraf: Cathy Carver. \u00a9 Yoko Ono\"},\"label\":{\"en\":\"SKY TV is one of the earliest closed-circuit video installations. What we see on the monitor is the sky above Istanbul in real time. A recurring presence throughout Ono\u2019s work, the sky appears here as a dynamic and ever-changing landscape that resists any fixed view. In place of conventional television programming, Ono presents the sky itself.\",\"tr\":\"G\u00d6KY\u00dcZ\u00dc TELEV\u0130ZYONU, ilk kapal\u0131 devre video enstalasyonlar aras\u0131ndad\u0131r. Monit\u00f6rde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz, \u0130stanbul\u2019un \u00fczerindeki g\u00f6ky\u00fcz\u00fcn\u00fcn ger\u00e7ek zamanl\u0131 g\u00f6r\u00fcnt\u00fcs\u00fcd\u00fcr. Ono\u2019nun yap\u0131tlar\u0131nda s\u00fcrekli olarak kar\u015f\u0131m\u0131za \u00e7\u0131kan g\u00f6ky\u00fcz\u00fc, burada sabit bir bak\u0131\u015f a\u00e7\u0131s\u0131na direnen dinamik ve s\u00fcrekli de\u011fi\u015fen bir manzaraya d\u00f6n\u00fc\u015f\u00fcr. Ono, geleneksel televizyon programlar\u0131n\u0131n yerine g\u00f6ky\u00fcz\u00fcn\u00fc naklen yay\u0131nlamaktad\u0131r.\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"mend-piece\",\"kind\":\"work\",\"num\":\"16\",\"title\":{\"en\":\"MEND PIECE\",\"tr\":\"ONARMA PAR\u00c7ASI\"},\"caption\":{\"en\":\"1966\\nInstallation, table, chairs, shelves, broken pottery, adhesive tape, glue, string, and artist\u2019s instruction text\",\"tr\":\"1966\\nEnstalasyon; masa, sandalyeler, raflar, k\u0131r\u0131k seramikler, koli band\u0131, yap\u0131\u015ft\u0131r\u0131c\u0131, ip ve sanat\u00e7\u0131n\u0131n talimat metni\"},\"durationSec\":70,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"Before you is an invitation.\"},{\"t\":\"p\",\"text\":\"A table, chairs, broken ceramic fragments, glue, string, tape... and a single-word instruction:\"},{\"t\":\"score\",\"text\":\"MEND.\"},{\"t\":\"p\",\"text\":\"Yoko Ono turns this intimate gesture into a collective action. Here, art is not something that is watched; it is something done, thought about and felt with the hands.\"},{\"t\":\"p\",\"text\":\"As you begin to mend, ask yourself these questions:\"},{\"t\":\"score\",\"text\":\"What does it mean to mend?<br \/>What changes when we mend things together with others?<br \/>What place does fragility have in today\u2019s world?\"},{\"t\":\"p\",\"text\":\"Inspired by <em>kintsugi<\/em>, the Japanese art of repairing broken objects with gold, and by the philosophy of <em>wabi-sabi<\/em>, which embraces imperfection, Ono reminds us that we do not need to hide what is broken. On the contrary, we must value it. Every visible crack is a scar transformed into beauty.\"},{\"t\":\"p\",\"text\":\"Once mended, the pieces can be placed on the shelves and brought together like a constellation of gestures. This is the collective memory of something that was once broken and now stands again, however imperfectly.\"},{\"t\":\"p\",\"text\":\"In the artist\u2019s own words:\"},{\"t\":\"quote\",\"text\":\"\u201cTo mend an object is to mend, also, part of the world\u201d.\"}],\"tr\":[{\"t\":\"p\",\"text\":\"\u00d6n\u00fcn\u00fczde bir davet var.\"},{\"t\":\"p\",\"text\":\"Bir masa, sandalye, k\u0131r\u0131k seramik par\u00e7alar\u0131, tutkal, ip, bant... ve tek kelimelik bir talimat:\"},{\"t\":\"score\",\"text\":\"ONAR.\"},{\"t\":\"p\",\"text\":\"Yoko Ono bu mahrem jesti ortak bir eyleme d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Burada sanat, izlenen bir \u015fey de\u011fildir; yap\u0131lan, d\u00fc\u015f\u00fcn\u00fclen, ellerle hissedilen bir \u015feydir.\"},{\"t\":\"p\",\"text\":\"Onarmaya ba\u015flarken kendinize \u015fu sorular\u0131 sorun:\"},{\"t\":\"score\",\"text\":\"Onarmak ne demektir?<br \/>Ba\u015fkalar\u0131yla birlikte bir \u015feyleri onard\u0131\u011f\u0131m\u0131zda ne de\u011fi\u015fir?<br \/>K\u0131r\u0131lganl\u0131k bug\u00fcn\u00fcn d\u00fcnyas\u0131nda nas\u0131l bir yere sahiptir?\"},{\"t\":\"p\",\"text\":\"K\u0131r\u0131k nesneleri alt\u0131nla onaran Japon sanat\u0131 <em>kintsugi<\/em>den ve kusuru benimseyen <em>wabi-sabi<\/em> felsefesinden ilham alan Ono, k\u0131r\u0131k olan\u0131 gizlememiz gerekmedi\u011fini hat\u0131rlat\u0131r. Aksine, ona de\u011fer vermemiz gerekir. G\u00f6r\u00fcnen her \u00e7atlak hatt\u0131, g\u00fczelli\u011fe d\u00f6n\u00fc\u015fen bir yara izidir.\"},{\"t\":\"p\",\"text\":\"Onar\u0131ld\u0131ktan sonra par\u00e7alar raflara yerle\u015ftirilerek; jestlerden olu\u015fan bir tak\u0131my\u0131ld\u0131z gibi bir araya getirilebilir. Bir zamanlar k\u0131r\u0131lm\u0131\u015f olan\u0131n ve \u015fimdi, kusurlu bi\u00e7imde de olsa yeniden ayakta duran bir \u015feyin kolektif belle\u011fidir bu.\"},{\"t\":\"p\",\"text\":\"Sanat\u00e7\u0131n\u0131n kendi s\u00f6zleriyle:\"},{\"t\":\"quote\",\"text\":\"\\\"Bir nesneyi onarmak, d\u00fcnyan\u0131n bir par\u00e7as\u0131n\u0131 da onarmak demektir.\\\"\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-16V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/16v2.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/16-mend-DSC00420-@canberkulusan.jpg\",\"imageCredit\":{\"en\":\"MEND PIECE in Yoko Ono: Insound and Instructure, SSM. Photograph: Flashbang Productions.\",\"tr\":\"ONARMA PAR\u00c7ASI, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Flashbang Productions.\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"arising\",\"kind\":\"work\",\"num\":\"17\",\"title\":{\"en\":\"ARISING\",\"tr\":\"Y\u00dcKSEL\u0130\u015e\"},\"caption\":{\"en\":\"2013\\nInstallation, clothing, wooden table, chair, paper, pens, women\u2019s testimonial prints, artist\u2019s call and text\",\"tr\":\"2013\\nEnstalasyon; giysiler, ah\u015fap masa, sandalye, k\u00e2\u011f\u0131t, kalemler, tan\u0131kl\u0131k bask\u0131lar\u0131, sanat\u00e7\u0131n\u0131n \u00e7a\u011fr\u0131s\u0131 ve metni\"},\"durationSec\":83,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"<em>Arising<\/em> is an installation that once again demonstrates Yoko Ono\u2019s commitment to women\u2019s freedom. At the same time, like works such as <em>Cut Piece<\/em> that we encountered in earlier sections, it is a condemnation of the gender-based violence she has addressed since the 1960s.\"},{\"t\":\"p\",\"text\":\"In this participatory piece, women from around the world sent testimonies about the harm they had suffered simply because they were women, together with a photograph of their eyes.\"},{\"t\":\"p\",\"text\":\"These stories and images were incorporated into the installation; a space emerged in which invisible experiences became visible and were shared collectively. The piece includes everyday objects such as clothing, a table, a chair, paper and pens; these objects complete the testimonies and strengthen the project\u2019s personal and collective dimensions.\"},{\"t\":\"p\",\"text\":\"<em>Arising<\/em> continues to grow in Istanbul; carrying new stories of women who have been subjected to violence, it calls on us to listen and reflect.\"},{\"t\":\"p\",\"text\":\"This is not only an installation. It is a space for collective testimony, resistance and transformation; a call reminding us that the struggle for women\u2019s freedom, dignity and visibility is universal and cannot be postponed.\"},{\"t\":\"score\",\"text\":\"\\\"<em>Follow your heart.<br \/>Use your intuition.<br \/>Make your manifestation.<br \/>Have courage.<br \/>Have rage.<br \/>We\u2019re rising.<\/em>\u201d\"}],\"tr\":[{\"t\":\"p\",\"text\":\"<em>Y\u00fckseli\u015f<\/em>, Yoko Ono\u2019nun kad\u0131n \u00f6zg\u00fcrl\u00fc\u011f\u00fcne adanm\u0131\u015fl\u0131\u011f\u0131n\u0131 bir kere daha ortaya koyan bir enstalasyondur. Ayn\u0131 zamanda, \u00f6nceki b\u00f6l\u00fcmlerde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz <em>Kesme Par\u00e7as\u0131<\/em> gibi yap\u0131tlarla 1960\u2019lardan bu yana ele ald\u0131\u011f\u0131 toplumsal cinsiyet temelli \u015fiddete kar\u015f\u0131 bir k\u0131namad\u0131r.\"},{\"t\":\"p\",\"text\":\"Bu kat\u0131l\u0131mc\u0131 par\u00e7ada d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan kad\u0131nlar, yaln\u0131zca kad\u0131n olduklar\u0131 i\u00e7in maruz kald\u0131klar\u0131 k\u00f6t\u00fcl\u00fcklere ili\u015fkin tan\u0131kl\u0131klar\u0131n\u0131, g\u00f6zlerinin bir foto\u011fraf\u0131yla birlikte g\u00f6nderdi.\"},{\"t\":\"p\",\"text\":\"Bu hik\u00e2yeler ve imgeler enstalasyona dahil edildi; g\u00f6r\u00fcnmez deneyimlerin g\u00f6r\u00fcn\u00fcr hale geldi\u011fi ve kolektif olarak payla\u015f\u0131ld\u0131\u011f\u0131 bir mek\u00e2n ortaya \u00e7\u0131kt\u0131. Par\u00e7ada giysi, masa, sandalye, k\u00e2\u011f\u0131t ve kalem gibi g\u00fcndelik nesneler yer al\u0131r; bu nesneler tan\u0131kl\u0131klar\u0131 tamamlar ve projenin ki\u015fisel ve ortak boyutlar\u0131n\u0131 g\u00fc\u00e7lendirir.\"},{\"t\":\"p\",\"text\":\"<em>Y\u00fckseli\u015f <\/em>\u0130stanbul\u2019da b\u00fcy\u00fcmeyi s\u00fcrd\u00fcr\u00fcyor; \u015fiddete maruz b\u0131rak\u0131lm\u0131\u015f kad\u0131nlar\u0131n yeni hik\u00e2yelerini ta\u015f\u0131yarak bizi dinlemeye ve d\u00fc\u015f\u00fcnmeye \u00e7a\u011f\u0131r\u0131yor.\"},{\"t\":\"p\",\"text\":\"Bu yaln\u0131zca bir enstalasyon de\u011fil. Kolektif tan\u0131kl\u0131k, direni\u015f ve d\u00f6n\u00fc\u015f\u00fcm i\u00e7in bir alan; kad\u0131nlar\u0131n \u00f6zg\u00fcrl\u00fc\u011f\u00fc, haysiyeti ve g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc i\u00e7in verilen m\u00fccadelenin evrensel ve ertelenemez oldu\u011funu hat\u0131rlatan bir \u00e7a\u011fr\u0131.\"},{\"t\":\"score\",\"text\":\"\u201cKalbini dinle.<br \/>Sezgilerine kulak ver.<br \/>Manifestonu ortaya koy.<br \/>Cesaretin olsun.<br \/>\u00d6fken olsun.<br \/>Y\u00fckseliyoruz.\u201d\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-17V3.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/17.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/17-arising-screenshot.jpg\",\"imageCredit\":{\"en\":\"ARISING in Yoko Ono: Insound and Instructure, SSM. Image: Flashbang Productions.\",\"tr\":\"Y\u00dcKSEL\u0130\u015e, Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. G\u00f6r\u00fcnt\u00fc: Flashbang Productions.\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}},{\"key\":\"skyladders\",\"kind\":\"work\",\"num\":\"18\",\"title\":{\"en\":\"SKYLADDERS\",\"tr\":\"G\u00d6KY\u00dcZ\u00dc MERD\u0130VENLER\u0130\"},\"caption\":{\"en\":\"1968\\nInstallation, wooden stepladders, and artist\u2019s instruction text\",\"tr\":\"1968\\nEnstalasyon; ah\u015fap merdivenler ve sanat\u00e7\u0131n\u0131n talimat metni\"},\"durationSec\":100,\"trMissing\":false,\"body\":{\"en\":[{\"t\":\"p\",\"text\":\"We have reached the end of our tour. Before you are wooden ladders rising like a forest toward the sky. Each one is different; but they all contain the same impulse: to ascend.\"},{\"t\":\"p\",\"text\":\"Let\u2019s think for a moment: How many words can a ladder evoke?\"},{\"t\":\"p\",\"text\":\"In Yoko Ono\u2019s work, many: to fly, to rise, to reach, to dream.\"},{\"t\":\"p\",\"text\":\"Even in her early works, the artist used this object as a metaphor for desire and possibility. In pieces such as <em>Fly Piece<\/em> and <em>Sky Event for John Lennon<\/em>, the ladder appears as a shared poetic gesture that brings people together again; that calls them to look upward and imagine that the sky is a little closer than they thought.\"},{\"t\":\"p\",\"text\":\"In this piece, the invitation expands. Arranged like a vertical path, the ladders invite us to imagine our ascent not only as a physical movement, but also as an inner impulse. Like the hope that better things are always within reach.\"},{\"t\":\"p\",\"text\":\"Here, the ladder is no longer merely a tool; it becomes a symbol of the connection between sky and earth.\"},{\"t\":\"p\",\"text\":\"In the artist\u2019s own words:\"},{\"t\":\"quote\",\"text\":\"\u201cThe ladder takes you a bit closer to the sky.\u201d\"},{\"t\":\"p\",\"text\":\"A simple sentence; but like her works, open to countless possibilities.\"},{\"t\":\"p\",\"text\":\"This marks the end of our visit.\"},{\"t\":\"p\",\"text\":\"Thank you for your interest; we hope you have enjoyed the exhibition.\"},{\"t\":\"p\",\"text\":\"We hope to see you again soon!\"}],\"tr\":[{\"t\":\"p\",\"text\":\"Turumuzun sonuna geldik. \u00d6n\u00fcn\u00fczde, g\u00f6\u011fe uzanan bir orman gibi y\u00fckselen ah\u015fap merdivenler var. Her biri farkl\u0131; fakat hepsi b\u00fcnyesinde ayn\u0131 d\u00fcrt\u00fcy\u00fc bar\u0131nd\u0131r\u0131yor: y\u00fckselmek.\"},{\"t\":\"p\",\"text\":\"Bir an d\u00fc\u015f\u00fcnelim: Bir merdiven ka\u00e7 kelime \u00e7a\u011fr\u0131\u015ft\u0131rabilir?\"},{\"t\":\"p\",\"text\":\"Yoko Ono\u2019nun yap\u0131tlar\u0131nda \u00e7ok: u\u00e7mak, y\u00fckselmek, eri\u015fmek, d\u00fc\u015flemek.\"},{\"t\":\"p\",\"text\":\"Sanat\u00e7\u0131 erken d\u00f6nem \u00e7al\u0131\u015fmalar\u0131nda bile bu nesneyi arzu ve olas\u0131l\u0131k i\u00e7in bir metafor olarak kulland\u0131. <em>U\u00e7ma Par\u00e7as\u0131<\/em> ve <em>John Lennon \u0130\u00e7in G\u00f6ky\u00fcz\u00fc Etkinli\u011fi<\/em> gibi par\u00e7alarda merdiven, insanlar\u0131 yeniden bir araya getiren; onlar\u0131 yukar\u0131 bakmaya, g\u00f6ky\u00fcz\u00fcn\u00fcn san\u0131landan biraz daha yak\u0131n oldu\u011funu d\u00fc\u015flemeye \u00e7a\u011f\u0131ran ortak bir \u015fiirsel jest olarak beliriyor.\"},{\"t\":\"p\",\"text\":\"Bu par\u00e7adaysa davet geni\u015fliyor. Dikey bir yol gibi d\u00fczenlenmi\u015f merdivenler, y\u00fckseli\u015fimizi yaln\u0131zca fiziksel bir hareket olarak de\u011fil, i\u00e7sel bir d\u00fcrt\u00fc olarak da d\u00fc\u015flemeye \u00e7a\u011f\u0131r\u0131yor. T\u0131pk\u0131 daha iyi \u015feylerin hep ula\u015f\u0131l\u0131r olmas\u0131 umudu gibi.\"},{\"t\":\"p\",\"text\":\"Burada merdiven, art\u0131k yaln\u0131zca bir ara\u00e7 olmaktan \u00e7\u0131kar; g\u00f6kle yer aras\u0131nda kurulan ba\u011f\u0131n simgesine d\u00f6n\u00fc\u015f\u00fcr.\"},{\"t\":\"p\",\"text\":\"Sanat\u00e7\u0131n\u0131n kendi s\u00f6zleriyle:\"},{\"t\":\"quote\",\"text\":\"\u201c<em>Merdiven sizi g\u00f6ky\u00fcz\u00fcne biraz daha yakla\u015ft\u0131r\u0131r.<\/em>\u201d\"},{\"t\":\"p\",\"text\":\"Basit bir c\u00fcmle; ama yap\u0131tlar\u0131 gibi, say\u0131s\u0131z olas\u0131l\u0131\u011fa a\u00e7\u0131k.\"},{\"t\":\"p\",\"text\":\"Ziyaretimizin sonuna geldik.\"},{\"t\":\"p\",\"text\":\"\u0130lginiz i\u00e7in te\u015fekk\u00fcr ediyor, sergiden keyif ald\u0131\u011f\u0131n\u0131z\u0131 umuyoruz.\"},{\"t\":\"p\",\"text\":\"Yak\u0131nda yeniden bulu\u015fmak dile\u011fiyle!\"}]},\"audio\":{\"en\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/EN-18V2.mp3\",\"tr\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/18.mp3\"},\"image\":\"https:\/\/sakipsabancimuzesi.org\/audio-guides\/wp-content\/uploads\/2026\/07\/Gokyuzu-Merdivenleri_Skyladders.jpg\",\"imageCredit\":{\"en\":\"SKYLADDERS (1968) in Yoko Ono: Insound and Instructure, SSM. Photograph by Murat Germen. \u00a9 Yoko Ono\",\"tr\":\"G\u00d6KY\u00dcZ\u00dc MERD\u0130VENLER\u0130 (1968), Yoko Ono: \u0130\u00e7ses ve \u0130\u00e7yap\u0131, SSM. Foto\u011fraf: Murat Germen.\\n\u00a9 Yoko Ono\"},\"label\":{\"en\":\"\",\"tr\":\"\"},\"credit\":{\"en\":\"\",\"tr\":\"\"},\"gallery\":[],\"instructionsLabel\":{\"en\":\"\",\"tr\":\"\"},\"galleryLabel\":{\"en\":\"plates\",\"tr\":\"levha\"}}];\n\twindow.__resources = 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