Sanat tarihinin akademik bir disiplin haline gelmesinde Erwin Panofsky ve Heinrich W\u00f6lfflin ile birlikte \u00f6nemli rol \u00fcstlenen Alois Riegl\u2019\u0131n yap\u0131salc\u0131 ele\u015ftiri y\u00f6ntemine yapt\u0131\u011f\u0131 katk\u0131lar, onu g\u00fcn\u00fcm\u00fczde de s\u0131k s\u0131k ba\u015fvurulan de\u011ferli bir kaynak k\u0131l\u0131yor. Yirminci y\u00fczy\u0131l\u0131n ba\u015f\u0131nda yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarla geli\u015ftirdi\u011fi sanat terimleri ve yazd\u0131\u011f\u0131 metinler, sanatta \u00fcslup ara\u015ft\u0131rmalar\u0131ndan kavramsal sanat\u0131n yap\u0131sal \u00e7\u00f6z\u00fcmlemesine kadar pek \u00e7ok konuda kilit ta\u015f\u0131 olmaya devam ediyor.<\/p>\n
47 ya\u015f\u0131nda hayata veda eden Riegl\u2019\u0131n k\u00fclt eserlerinden Hollanda Resminde Grup Portrecili\u011fi ba\u015fl\u0131kl\u0131 kitab\u0131, on yedinci y\u00fczy\u0131l Hollanda resminde \u00f6nemli bir yeri olan grup portrecili\u011fine odaklan\u0131yor. Rembrandt, Frans Hals ve Bartholomeus van der Helst gibi sanat\u00e7\u0131lar\u0131n yapt\u0131klar\u0131 grup portrelerinden yola \u00e7\u0131karak izleyicinin sanat eserleriyle ili\u015fkisine dair yorum getiren, izleyici \u00f6znenin varl\u0131\u011f\u0131ndan yola \u00e7\u0131karak i\u00e7 ve d\u0131\u015f tutarl\u0131l\u0131k kavramlar\u0131n\u0131 temel alan Riegl sanat tarihine yepyeni bir bak\u0131\u015f a\u00e7\u0131s\u0131 kazand\u0131ran tespitleri, \u00e7o\u011funlukla izleyiciyi merkeze alan g\u00fcn\u00fcm\u00fcz sanat\u0131n\u0131n de\u011ferlendirilmesine de \u0131\u015f\u0131k tutan bilgiler veriyor. Hem portredeki fig\u00fcrlerin hem de resmin izleyicisinin kompozisyonun tamamlanmas\u0131 i\u00e7in birbirlerine ihtiya\u00e7 duyduklar\u0131n\u0131 belirten Riegl, grup portrecili\u011fi gelene\u011fini \u00fc\u00e7 ana d\u00f6neme ay\u0131rarak bu ayr\u0131mlar\u0131n nas\u0131l olu\u015ftu\u011funu ve evrildi\u011fini de ayr\u0131nt\u0131yla a\u00e7\u0131kl\u0131yor.<\/p>\n
Sanat tarih\u00e7isi U\u015fun T\u00fckel\u2019in sunu\u015f yaz\u0131s\u0131nda belirtti\u011fi gibi etkisi disiplinin s\u0131n\u0131rlar\u0131n\u0131 a\u015fan yakla\u015f\u0131m\u0131yla Riegl\u2019\u0131n Hollanda Resminde Grup Portrecili\u011fi metni, portre betimi, a\u00e7\u0131k yap\u0131t ve al\u0131mlama esteti\u011fi ba\u015fta olmak \u00fczere sanat\u0131n dilini anlamak isteyen her okura hitap ediyor.<\/p>\n
(Tan\u0131t\u0131m B\u00fclteninden<\/p>\n","protected":false},"excerpt":{"rendered":"
Sanat tarihinin akademik bir disiplin haline gelmesinde Erwin Panofsky ve Heinrich W\u00f6lfflin ile birlikte \u00f6nemli rol \u00fcstlenen Alois Riegl\u2019\u0131n yap\u0131salc\u0131 ele\u015ftiri y\u00f6ntemine yapt\u0131\u011f\u0131 katk\u0131lar, onu g\u00fcn\u00fcm\u00fczde de s\u0131k s\u0131k ba\u015fvurulan de\u011ferli bir kaynak k\u0131l\u0131yor. Yirminci y\u00fczy\u0131l\u0131n ba\u015f\u0131nda yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarla geli\u015ftirdi\u011fi sanat terimleri ve yazd\u0131\u011f\u0131 metinler, sanatta \u00fcslup ara\u015ft\u0131rmalar\u0131ndan kavramsal sanat\u0131n yap\u0131sal \u00e7\u00f6z\u00fcmlemesine kadar pek \u00e7ok […]\n","protected":false},"featured_media":253884,"template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"product_brand":[],"product_cat":[662,663],"product_tag":[],"woo-feed-brand":[],"class_list":{"0":"post-253878","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-yayin-ve-multimedya","7":"product_cat-kitap","9":"first","10":"instock","11":"taxable","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"yoast_head":"\n